Exploring Paranoia and the Paranormal with “Something in the Dirt”
By Katie Small Something in the Dirt is a strange trip. The pandemic brainchild of collaborators Aaron Moorhead and Justin Benson features paranormal activity, pseudo-science,
By Katie Small Something in the Dirt is a strange trip. The pandemic brainchild of collaborators Aaron Moorhead and Justin Benson features paranormal activity, pseudo-science,
by Bailey Pennick “Well, that was long ago and, darling, I don’t mind…” There’s something unsettling about watching Meet Me In The Bathroom. Every song
By Katie Small Finnish director Alli Haapasalo wants to reclaim the word “girls.” “I love the term ‘girls’ — it’s a very positive word for
By Katie Small Writer-director Jamie Dack’s first feature, Palm Trees and Power Lines, explores the feelings of loneliness and insecurity that often lead young women
by Bailey Pennick Trinitie and Lee-Curtis Childs have been swirling around the heads of the Ebo twins for a while. Writer-director Adamma Ebo started writing
by Katie Small “They have taught you nothing. Do you know how a condor dies, Clever? When he feels that he’s not useful anymore. When
On Thursday, January 27, we gathered digitally to honor all of the editors whose work screened at the 2022 Festival, across all categories (fiction and
By Katie Small Bloody and laced with grim satire, PIGGY is a psychologically thrilling, nail-biting tale of justice, redemption, and the vulnerability of a tormented
by Bailey Pennick Halfway through The Janes, the new feature documentary from Tia Lessin and Emma Pildes, one of the titular Janes mentions a Bob
By Bailey Pennick It’s well known that here at the Sundance Institute we’re committed to championing independent storytelling in all forms. By supporting the next
By Bailey Pennick There’s something special about the Capitol Hill space in which Northwest Film Forum operates in Seattle, Washington. “It’s like this old auto
by Bailey Pennick Up until yesterday, our tenth and final competitor in the U.S. Documentary section was simply known as “Untitled LP9.” Even in the