Explore
News & Stories

“AUM: The Cult at the End of the World” Examines How Evil Can Hide in Plain Sight
PARK CITY, UTAH – JANUARY 20: (L–R) Shoko Egawa, Chiaki Yanagimoto, Ben Braun, and Andrew Marshall attend the 2023 Sundance Film Festival “AUM: The Cult

Give Me the Backstory: Get to Know Emilie Blichfeldt, the Writer-Director of “The Ugly Stepsister”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

You Will Leave “Opus” Singing the Original Bops Performed by John Malkovich
(L–R) Stephanie Suganami, Tatanka Means, John Malkovich, Ayo Edebiri, and Juliette Lewis attend the premiere of “Opus” at Eccles Theatre in Park City. (Photo by

Give Me the Backstory: Get to Know Amel Guellaty, the Writer-Director of “Where the Wind Comes From”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

Doris Duke Foundation and Sundance Institute Announce 2025 Building Bridges Completion Fund Recipients
The Building Bridges Completion Fund reaffirms a commitment to showcasing and creating opportunities for U.S. Muslim narratives NEW YORK, NY – (March 5, 2025) –

Buckle Up for “The Accidental Getaway Driver”
By Stephanie Ornelas (L–R) Kenner Bolt, Brendon Boyea, Hiep Tran Nghia, Sing J. Lee, Andy Sorgie and Dustin Nguyen attend the 2023 Sundance Film Festival
The Latest

“AUM: The Cult at the End of the World” Examines How Evil Can Hide in Plain Sight
PARK CITY, UTAH – JANUARY 20: (L–R) Shoko Egawa, Chiaki Yanagimoto, Ben Braun, and Andrew Marshall attend the 2023 Sundance Film Festival “AUM: The Cult

Introducing Nonfiction Core Application 3.0: Streamlining the Application Process and Pushing the Field Forward
By Keisha Knight and Hajnal Molnar-Szakacs In the ever-evolving world of filmmaking, one of the biggest challenges faced by filmmakers is navigating the often complex

Give Me the Backstory: Get to Know Emilie Blichfeldt, the Writer-Director of “The Ugly Stepsister”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Festival

“AUM: The Cult at the End of the World” Examines How Evil Can Hide in Plain Sight
PARK CITY, UTAH – JANUARY 20: (L–R) Shoko Egawa, Chiaki Yanagimoto, Ben Braun, and Andrew Marshall attend the 2023 Sundance Film Festival “AUM: The Cult

Give Me the Backstory: Get to Know Emilie Blichfeldt, the Writer-Director of “The Ugly Stepsister”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

You Will Leave “Opus” Singing the Original Bops Performed by John Malkovich
(L–R) Stephanie Suganami, Tatanka Means, John Malkovich, Ayo Edebiri, and Juliette Lewis attend the premiere of “Opus” at Eccles Theatre in Park City. (Photo by
Festival Highlights
News

“AUM: The Cult at the End of the World” Examines How Evil Can Hide in Plain Sight
PARK CITY, UTAH – JANUARY 20: (L–R) Shoko Egawa, Chiaki Yanagimoto, Ben Braun, and Andrew Marshall attend the 2023 Sundance Film Festival “AUM: The Cult

Give Me the Backstory: Get to Know Emilie Blichfeldt, the Writer-Director of “The Ugly Stepsister”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

You Will Leave “Opus” Singing the Original Bops Performed by John Malkovich
(L–R) Stephanie Suganami, Tatanka Means, John Malkovich, Ayo Edebiri, and Juliette Lewis attend the premiere of “Opus” at Eccles Theatre in Park City. (Photo by
Artist Spotlight

Give Me the Backstory: Get to Know Shoshannah Stern, the Director of “Marlee Matlin: Not Alone Anymore”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

Give Me the Backstory: Get to Know Astrid Rondero and Fernanda Valadez, the Co-Directors of “Sujo”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

Give Me the Backstory: Get to Know Benjamin Ree, the Director Behind “The Remarkable Life of Ibelin”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
From the Labs

Hope for the Independent Documentary Ecosystem: How Artist Accelerator Envisions an Equitable Future
The Artist Accelerator team on day 3 of the Shangri La / Sundance / Building Bridges Fellowship. Photo by Elyse Butler. By Hajnal Molnar-Szakacs, Director

What to Watch: These 7 DFP-Supported Films From 2024 Will Inspire You to Organize for Change
It’s easy to become overwhelmed when thinking about the current state of the world. With so much on the line and in flux, what change

“Indigenous People Will Save the World”: A Spotlight on Sundance Institute’s Merata Mita Fellowship
Libby Hakaraia speaking at the 2024 Sundance Film Festival. Photo by Jovelle Tamayo. By Katie Arthurs From the Ainu people of Ainu Mosir to the
Now Playing

Release Rundown: What to Watch in March, From “Opus” to “The Fishbowl”
Ayo Edebiri appears in “Opus” by Mark Anthony Green, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance Institute | photo by

Release Rundown: What to Watch in February, From “The Accidental Getaway Driver” to “SLY LIVES! (aka The Burden of Black Genius)”
Sly Stone appears in “SLY LIVES! (aka The Burden of Black Genius)” by Ahmir “Questlove” Thompson, an official selection of the 2025 Sundance Film Festival.

Release Rundown: What to Watch in January, From “Love Me” to “Presence”
Kristen Stewart and Steven Yeun embody the love story of a buoy and a satellite in Sam and Andy Zuchero’s “Love Me.” By Lucy Spicer
Collab

Sundance Collab Tips From 2025 Festival Award-Winners on Writing, Directing, and Making Their Mark
By Jessica Herndon What does it take to win an award at the Sundance Film Festival? Filmmakers Charlie Shackleton, Rashad Frett, Rohan Kanawade, Alireza Khatami,

Learn From the Sundance Collab Artists Making a Big Impact on Awards Season
By Jessica Herndon As awards season heats up, a handful of celebrated filmmakers and artists are grabbing our attention, and many of them have shared

How Filmmaking Mirrors the Identity Journey of Trans Storytellers Zackary Drucker and River Gallo
By Jessica Herndon Making a film can be unpredictable. Clearance issues may cause a beloved moment to be cut, or a kismet connection could lead
Creative Distribution

From the Archives: The 3 Things It Takes to Be an Independent Producer
As the spiritual closing of Sundance Institute’s Creative Producing Summit, Sundance Film Festival director John Cooper wrapped up the weekend with the “One Word Challenge.”Cooper’s challenge to his three keynote guests was simple: “It is 2011, and the most important thing a producer needs to survive is …” Panelists were given this one-word task by email before arriving in Utah and told to bring their best thinking to the audience of creative fellows and advisors. The experiment is both simple and profound, and audience members were invited to play along with cards of their own.

‘I Knew People Wanted to See It’: The ‘In Reality’ Team on Why and How They Self-Distributed
In part one of this interview, In Reality writer/director/star Ann Lupo and producer Holly Meehl shared how they got their anti-romantic comedy feature off the ground. In this second and final part, we explore how they navigated self-distribution.
Were you building an audience along the way? How did you keep people engaged?
AL: During post-production I took on a side project editing a short for Casey Neistat called “Filmmaking is a Sport,” and it completely changed my perspective on YouTube.

From Short Film to Unexpected Feature: How ‘In Reality’ Came to Life
Liz Manashil is a filmmaker and former manager of Sundance Institute’s Creative Distribution Initiative.
A few months ago, before I had a baby, I encountered the anti-romantic comedy feature film In Reality, which I immediately fell for. As I told the filmmakers later, it was the movie I needed when I was in my early 20s.
From the Archives

“AUM: The Cult at the End of the World” Examines How Evil Can Hide in Plain Sight
PARK CITY, UTAH – JANUARY 20: (L–R) Shoko Egawa, Chiaki Yanagimoto, Ben Braun, and Andrew Marshall attend the 2023 Sundance Film Festival “AUM: The Cult

Introducing Nonfiction Core Application 3.0: Streamlining the Application Process and Pushing the Field Forward
By Keisha Knight and Hajnal Molnar-Szakacs In the ever-evolving world of filmmaking, one of the biggest challenges faced by filmmakers is navigating the often complex

Give Me the Backstory: Get to Know Emilie Blichfeldt, the Writer-Director of “The Ugly Stepsister”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

You Will Leave “Opus” Singing the Original Bops Performed by John Malkovich
(L–R) Stephanie Suganami, Tatanka Means, John Malkovich, Ayo Edebiri, and Juliette Lewis attend the premiere of “Opus” at Eccles Theatre in Park City. (Photo by