Naz Kawakami appears in Every Day in Kaimukī by Alika Tengan. By Vanessa Zimmer Basil Tsiokos and his fellow programmers had the pleasure, and the challenge, of

By Katie Small Master is a deeply disturbing, racially-charged, supernatural psychological thriller that is unnerving on multiple levels. It offers an unflinching, succinct reckoning with

by Bailey Pennick “First I might have to give a disclaimer that I might cry — and that we might all cry [right now] —

By Stephanie Ornelas  Addressing war and conflict, regardless of location in the world, is always a daunting task for filmmakers when addressing the affected people

By Vanessa Zimmer Sinéad O’Connor may have been young, angry, outspoken, and impulsive. But there was one thing she was not: insincere. That’s the takeaway

By Stephanie Ornelas  When casual meet-cutes merge with gruesome discoveries, you’re left with one fascinating recipe for a horror film. That’s what you get with

by Bailey Pennick Progress rarely comes from staying in your comfort zone. To try is to be uncomfortable, but if you make the effort, extraordinary

By Vanessa Zimmer After Yang is a quiet science-fiction film — meaning unlike any sci-fi movie you’ve seen before — in that it takes place

by Katie Small While driving her car in April of 2018, Abi Damaris Corbin suddenly pulled over to read a news article that had popped

Takashi Ueno and Carla Juri appear in blood by Bradley Rust Gray, in the U.S. Dramatic Competition. By Laura Kern It’s common practice for filmmakers