“TikTok, BOOM.” Shines Light on the Digital Native
By Stephanie Ornelas In a world where social media has become fundamental to the way billions of people communicate and share content, director Shalini Kantayya
By Stephanie Ornelas In a world where social media has become fundamental to the way billions of people communicate and share content, director Shalini Kantayya
Seventh Year of Fellowship Honors Artistic Contributions of Late Māori Filmmaker Park City, UT — Sundance Institute announced today the recipient of the 2022 Merata
By Amy Felix Stewart Journalists, investigators, and storytellers of all types know they must answer certain basic questions — who, what, when, where, why, and
By Vanessa Zimmer Director and co-writer Julian Higgins describes his feature-film debut, God’s Country, as a study of what happens when a woman’s moral code
By Vanessa Zimmer Francisca Alegría’s poignant debut feature film, The Cow Who Sang a Song Into the Future, explores the secret landscapes of family relationships,
By Vanessa Zimmer Writer-director Riley Stearns is known for creating a world where everyone speaks in a deadpan cadence. And nowhere is that played to
By Vanessa Zimmer Judging from viewer response, Jim Archer’s Brian and Charles Sunday premiere at the Sundance Film Festival left everyone hungry for more moments
By Katie Small From 1985’s Before Stonewall to 2017’s Call Me By Your Name, provocative queer film has been a staple of the Sundance Film
By Vanessa Zimmer Philippines-based writer-director Martika Ramirez Escobar sees life as one big, long movie that we’re revising, revising, and revising again, until it is
Naz Kawakami appears in Every Day in Kaimukī by Alika Tengan. By Vanessa Zimmer Basil Tsiokos and his fellow programmers had the pleasure, and the challenge, of
by Bailey Pennick As we start another year and, in turn, another incarnation of the Sundance Film Festival, we transition from a moment of reflection
by Bailey Pennick Rigid. Rigid is a word that continues to swirl around the live Q&A after the premiere of Jesse Eisenberg’s directorial debut, When