Tracy Droz Tragos is an Emmy Award-winning filmmaker and co-director of the work-in-progress film “Rich Hill.” To learn more about Rich Hill, go to www.richhillfilm.
Note from the Archives team: Today we’re sharing an early Documentary Film Program gem from the archives. Diane Weyermann launched the Soros Documentary Fund at
By Katie Arthurs Growing up, many of us had the school rhyme “In 1492, Columbus sailed the ocean blue” fed to us along with heaps
A communal moment at the 2022 Creative Producing Lab. From left to right: Daffodil Altan, Violet Feng, Andrea Meditch, Amanda Spain, Carrie Lozano. (Photo by
We’ve been conditioned to think that storytelling is a solo journey — the brooding writer, the singular genius director, etc — but it doesn’t need
By Stephanie Ornelas There were several lessons director/screenwriter Rick Famuyiwa (The Wood, Dope) learned as he evolved into a successful filmmaker over the years. A
Greg Nava (far left) and Anna Thomas attend a Directors Lab at the Sundance Resort in 1981. By Vanessa Zimmer Director Greg Nava proudly points
Ryan Coogler and Ludwig Göransson have worked together on several films, including Fruitvale Station. By Vanessa Zimmer Why do people say they watched a movie?
By Adam Piron With the generous support of the Kellogg Foundation, Sundance Institute’s Indigenous Program holds an annual, open call for the Full Circle Fellowship.
Dogfight, A Dry White Season, The 40-Year-Old Version, El Norte, Reservoir Dogs, The Wood, Pretty Woman—these are just a few of the memorable independent films that have gone through the Sundance Institute’s summer labs over the past four decades. Bringing together established mentors and exciting talent from a wide range of artistic disciplines, the labs have been a core part of the nonprofit Institute’s mission since the very beginning.
From 1981 up until this year, most of these gatherings have taken place high in the mountains of Utah at the Sundance Resort, an idyllic backdrop that allows participants from all over the world—among them directors, screenwriters, XR artists, actors, playwrights, composers, and editors—to shut out the demands and pressures of the outside world and really focus on their craft.
Michelle Satter is the director of Sundance Institute’s Feature Film Program, a post she has held since the Institute was founded in 1981. In the letter below, she offers insights into how the Institute’s signature Labs have been carefully adapted and reimagined to go digital on Sundance Co//ab.
For the thousands who gather in Park City each winter, the Sundance Film Festival is the most visible part of Sundance Institute.
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