
What to Watch at the 2022 Festival: Don’t Miss These LGBTQ+ Films
By Katie Small From 1985’s Before Stonewall to 2017’s Call Me By Your Name, provocative queer film has been a staple of the Sundance Film

By Katie Small From 1985’s Before Stonewall to 2017’s Call Me By Your Name, provocative queer film has been a staple of the Sundance Film

By Vanessa Zimmer Philippines-based writer-director Martika Ramirez Escobar sees life as one big, long movie that we’re revising, revising, and revising again, until it is

Naz Kawakami appears in Every Day in Kaimukī by Alika Tengan. By Vanessa Zimmer Basil Tsiokos and his fellow programmers had the pleasure, and the challenge, of

by Bailey Pennick As we start another year and, in turn, another incarnation of the Sundance Film Festival, we transition from a moment of reflection

by Bailey Pennick Rigid. Rigid is a word that continues to swirl around the live Q&A after the premiere of Jesse Eisenberg’s directorial debut, When

by Bailey Pennick “We hope that we’ve put together a cinematic experience that will challenge you, disturb you, delight you, and entertain you,” says Carey

By Katie Small Ever since The Worst Person in the World premiered in competition at the 2021 Cannes Film Festival, international audiences have been charmed

by Katie Small While driving her car in April of 2018, Abi Damaris Corbin suddenly pulled over to read a news article that had popped

By Vanessa Zimmer Sinéad O’Connor may have been young, angry, outspoken, and impulsive. But there was one thing she was not: insincere. That’s the takeaway

By Katie Small From the Festival that brought you some of the most iconic and deeply disturbing horror flicks of the last several decades —

By Vanessa Zimmer After Yang is a quiet science-fiction film — meaning unlike any sci-fi movie you’ve seen before — in that it takes place

By Stephanie Ornelas When casual meet-cutes merge with gruesome discoveries, you’re left with one fascinating recipe for a horror film. That’s what you get with
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