Explore
News & Stories
Release Rundown: What to Watch in May, From “I Saw the TV Glow” to “Power”
Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) develop an eerie connection to a supernatural TV show in Jane Schoebrun’s “I Saw the TV Glow.” By
The Anchor of Our Work at the Native Lab: A Dispatch from Adam Piron
By Adam Piron In anticipation of this edition of the Indigenous Program’s Native Lab, it actually dawned on me that this will be our lab’s
Meet the 2024 Sundance Institute Directors, Screenwriters, and Native Lab Fellows
Even though we’ve been doing this for over 40 years, a spark of excitement rushes through us whenever we reveal the fellows for this year’s
Interview: Lourdes Portillo, Director of “Las madres de la Plaza de Mayo,” “La Ofrenda”
What was the Sundance Film Festival like in the 1980s? Documentary filmmakers walk us through the Festival’s first decade.
Sundance Film Festival CDMX 2024 kicks off today at Cinépolis
Sundance Film Festival CDMX 2024 kicks-off today with screenings in 5 theaters in Mexico City and the opening-night film, FRIDA, directed by Carla Gutiérrez During
Inside the Archives: Highlighting the Importance of Preservation for the Festival’s 40th Edition
Sundance Institute Founder Robert Redford during a press conference at the 1996 Sundance Film Festival. Photo by Ken Regan By the Archives Team There’s no
The Latest
Release Rundown: What to Watch in May, From “I Saw the TV Glow” to “Power”
Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) develop an eerie connection to a supernatural TV show in Jane Schoebrun’s “I Saw the TV Glow.” By
The Anchor of Our Work at the Native Lab: A Dispatch from Adam Piron
By Adam Piron In anticipation of this edition of the Indigenous Program’s Native Lab, it actually dawned on me that this will be our lab’s
Meet the 2024 Sundance Institute Directors, Screenwriters, and Native Lab Fellows
Even though we’ve been doing this for over 40 years, a spark of excitement rushes through us whenever we reveal the fellows for this year’s
Festival
Release Rundown: What to Watch in May, From “I Saw the TV Glow” to “Power”
Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) develop an eerie connection to a supernatural TV show in Jane Schoebrun’s “I Saw the TV Glow.” By
Interview: Lourdes Portillo, Director of “Las madres de la Plaza de Mayo,” “La Ofrenda”
What was the Sundance Film Festival like in the 1980s? Documentary filmmakers walk us through the Festival’s first decade.
Inside the Archives: Highlighting the Importance of Preservation for the Festival’s 40th Edition
Sundance Institute Founder Robert Redford during a press conference at the 1996 Sundance Film Festival. Photo by Ken Regan By the Archives Team There’s no
Festival Highlights
News
Release Rundown: What to Watch in May, From “I Saw the TV Glow” to “Power”
Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) develop an eerie connection to a supernatural TV show in Jane Schoebrun’s “I Saw the TV Glow.” By
The Anchor of Our Work at the Native Lab: A Dispatch from Adam Piron
By Adam Piron In anticipation of this edition of the Indigenous Program’s Native Lab, it actually dawned on me that this will be our lab’s
Meet the 2024 Sundance Institute Directors, Screenwriters, and Native Lab Fellows
Even though we’ve been doing this for over 40 years, a spark of excitement rushes through us whenever we reveal the fellows for this year’s
Artist Spotlight
Mexico City Watchlist: 7 Sundance Festival Films Written by Women
[Pictured: A still from Sujo] By Stephanie Ornelas “There are so many stories and layers to be told within Ciudad de México,” Paloma Riojas says over
The Making of “Beirut” Is as Exciting as Its Espionage Plot
By Shahnaz Mahmud A screenwriter on the rise. A long forgotten script. A producer who unearthed it and held onto the dream of making it
“Choose Your Partners Wisely”: Highlights From a Discussion With Mira Nair, Director of “Mississippi Masala” and “Monsoon Wedding”
By Stephanie Ornelas Mira Nair first aspired to be an actor, but working as a street performer in India made her realize she was destined
From the Labs
The Anchor of Our Work at the Native Lab: A Dispatch from Adam Piron
By Adam Piron In anticipation of this edition of the Indigenous Program’s Native Lab, it actually dawned on me that this will be our lab’s
Meet the 2024 Sundance Institute Directors, Screenwriters, and Native Lab Fellows
Even though we’ve been doing this for over 40 years, a spark of excitement rushes through us whenever we reveal the fellows for this year’s
Mexico City Watchlist: 7 Sundance Festival Films Written by Women
[Pictured: A still from Sujo] By Stephanie Ornelas “There are so many stories and layers to be told within Ciudad de México,” Paloma Riojas says over
Now Playing
Mexico City Watchlist: 7 Documentaries About Working in CDMX
Pictured: Midnight Family By Stephanie Ornelas A great way to get to know a city as culturally unique and rich as Mexico City is to
“Choose Your Partners Wisely”: Highlights From a Discussion With Mira Nair, Director of “Mississippi Masala” and “Monsoon Wedding”
By Stephanie Ornelas Mira Nair first aspired to be an actor, but working as a street performer in India made her realize she was destined
Release Rundown: Docs on Indigo Girls, Synanon, and Girls State Among Sundance Titles Reaching Wider Audiences in April
2023 Sundance Film Festival documentary “Indigo Girls: It’s Only Life After All” brings the beloved musical duo to the big screen this April. By Lucy
Creative Distribution
From the Archives: The 3 Things It Takes to Be an Independent Producer
As the spiritual closing of Sundance Institute’s Creative Producing Summit, Sundance Film Festival director John Cooper wrapped up the weekend with the “One Word Challenge.”Cooper’s challenge to his three keynote guests was simple: “It is 2011, and the most important thing a producer needs to survive is …” Panelists were given this one-word task by email before arriving in Utah and told to bring their best thinking to the audience of creative fellows and advisors. The experiment is both simple and profound, and audience members were invited to play along with cards of their own.
‘I Knew People Wanted to See It’: The ‘In Reality’ Team on Why and How They Self-Distributed
In part one of this interview, In Reality writer/director/star Ann Lupo and producer Holly Meehl shared how they got their anti-romantic comedy feature off the ground. In this second and final part, we explore how they navigated self-distribution.
Were you building an audience along the way? How did you keep people engaged?
AL: During post-production I took on a side project editing a short for Casey Neistat called “Filmmaking is a Sport,” and it completely changed my perspective on YouTube.
From Short Film to Unexpected Feature: How ‘In Reality’ Came to Life
Liz Manashil is a filmmaker and former manager of Sundance Institute’s Creative Distribution Initiative.
A few months ago, before I had a baby, I encountered the anti-romantic comedy feature film In Reality, which I immediately fell for. As I told the filmmakers later, it was the movie I needed when I was in my early 20s.
From the Archives
Release Rundown: What to Watch in May, From “I Saw the TV Glow” to “Power”
Owen (Justice Smith) and Maddy (Brigette Lundy-Paine) develop an eerie connection to a supernatural TV show in Jane Schoebrun’s “I Saw the TV Glow.” By
The Anchor of Our Work at the Native Lab: A Dispatch from Adam Piron
By Adam Piron In anticipation of this edition of the Indigenous Program’s Native Lab, it actually dawned on me that this will be our lab’s
Meet the 2024 Sundance Institute Directors, Screenwriters, and Native Lab Fellows
Even though we’ve been doing this for over 40 years, a spark of excitement rushes through us whenever we reveal the fellows for this year’s
Sundance Institute Announces Fellows for the 2024 Directors, Screenwriters, and Native Labs
At our signature labs this spring, emerging artists will develop original projects under the guidance of accomplished advisors PARK CITY, UTAH, April 29, 2024 —