Reimagining a National System
Pictured: Filmmaker Vero Kompalic (Photo by Gia Rigoli) By Vero Kompalic This is the last picture I ever took in Venezuela. I had seen the
Pictured: Filmmaker Vero Kompalic (Photo by Gia Rigoli) By Vero Kompalic This is the last picture I ever took in Venezuela. I had seen the
By Katie Arthurs Merata Mita (1942–2010), the legendary Māori filmmaker, godmother of Indigenous cinema, and namesake of Sundance Institute’s Merata Mita Fellowship, devoutly believed in
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Director David Alvarado shines a spotlight on the filmmaker, activist, and vital figure in the history of Mexican American culture, art, and political consciousness.
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Megan Falley, Andrea Gibson, and Ryan White attend the premiere of Come See Me in the Good Light during the 2025 Sundance Film Festival. Photographer:
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Director Sara Dosa and producer Shane Boris talk about “Fire of Love” at the 2022 Sundance Film Festival: London. [Editor’s Note: This piece was originally
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent