Editor’s note: The Sundance Collab event Advisor Studio Series: Geeta Gandbhir on Documentary Interview Techniques originally took place on May 31, 2022. This AAPI Heritage
By Stephanie Ornelas “Never forget, South Asians, we have been incredible contributors to film, arts, television, and culture. Just because they — meaning some sort
[Back row: Dana Ledoux Miller, Andrew Ahn, Alex Lazarowich, Eva Grant; middle row: Quinne Larsen, Cian Elyse White, Anpa’o Locke; front row: Jana Schmieding, Jennifer
A still from Banksy’s “Exit Through the Gift Shop,” which premiered at the 2010 Sundance Film Festival By Vanessa Zimmer Everyone in Park City, Utah,
By Matthew Eng Rare is the film that treats addiction as a condition befalling real people, undoing already precarious lives as it disintegrates families, drains
By Stephanie Ornelas “I never thought I could be a teacher. Ever.” When director Catherine Tambini’s documentary Farmingville took home the Special Jury Prize: Documentary
One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent filmmaking. While we
By Stephanie Ornelas “Raw, truthful, collaborative.” These were the three words writer-director Vuk Lungulov-Klotz uses to describe the labs at Sundance Institute. When Lungulov-Klotz applied
One of the most exciting things about starting each year with the Sundance Film Festival is having a front-row seat for the bright future of
From left, Lynn Auerbach, Michelle Satter, and Kathleen Broyles attended the 2000 Directors Lab. When Lynn Auerbach died shortly after the Sundance Film Festival in
One of the most exciting things about starting each year with the Sundance Film Festival is having a front-row seat for the bright future of
Director A.V. Rockwell pauses backstage after winning the U.S. Dramatic Grand Jury Prize for “A Thousand and One.” (Photo by Stephen Speckman) By Vanessa Zimmer
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