Category: News

On behalf of the Sundance Institute Indigenous Program, we would like to wish everyone a safe, affirming, and happy Pride — not just this month, but every day until our Two-Spirit and LGBTQIA+ community members have the space and opportunity to exist fully and authentically. We also encourage allies to support and center Two-Spirit and Indigenous LGBTQIA+ stories and voices.
As Pride becomes increasingly commodified, we want to affirm the queer and gender-diverse Indigenous people who for the last five centuries have remained steadfast in challenging the imposition of this rigid binary system through their art, their activism, and their existence.

During the 1992 Sundance Film Festival, scholar and critic B. Ruby Rich took the stage in Park City to host a panel discussion that delved into an important chapter in independent film history that was just then unfolding. Assembled for the conversation — titled “Barbed-Wire Kisses” by the Festival’s then-director, Alberto Garcia — were preeminent artists and writers like Gregg Araki, Todd Haynes, Derek Jarman, Isaac Julien, Tom Kalin, Jennie Livingston, Marlon Riggs, Sadie Benning, and Lisa Kennedy.

The 20th annual Tribeca Film Festival kicks off in New York today, bringing back in-person screenings at venues around the city. We’re excited to see 16 Sundance Institute–supported projects in the lineup, and we can’t wait for the chance to see them on the big screen. (Not in NYC? Not a problem — the festival is also offering $15-per-title Tribeca at Home virtual screenings for select titles.

For Asian American and Pacific Islander Heritage Month, the Sundance Institute Indigenous Program would like to recognize the Indigenous Asian and Pacific Islander storytellers who have contributed to examining and extolling the richness of Indigenous Asian and Pacific Islander diasporas in their work. Essential to this is the critical examination of the AAPI label. While the term can be mobilized for coalition building, it can also conflate and erase the unique histories and experiences of Asian and Pacific Islander communities.

May is Asian American and Pacific Islander Heritage Month, an opportunity to recognize the long line of visionary storytellers who have contributed to the independent film canon over the years — and an opportunity to underline the richness and diversity of Asian diasporas in the United States. To celebrate the month, we introduced a new series called In Focus, in which we turn the spotlight on our friends at AAPI-led arts organizations around the country. In previous editions, we talked to Visual Communications’ Francis Cullado and Pacific Islanders in Communications’ Leanne Kaʻiulani Ferrer; this week, we close out the month with Stephen Gong from the Center for Asian American Media.

May is Asian American and Pacific Islander Heritage Month, an opportunity to recognize the long line of visionary storytellers who have contributed to the independent film canon over the years — and an opportunity to underline the richness and diversity of Asian and Pacific Islander diasporas in the United States. To celebrate the month, we’re introducing a new series called In Focus, in which we turn the spotlight on our friends at AAPI-led arts organizations around the country. Last week, we kicked things off chatting with Visual Communications’ Francis Cullado, and this week, we’re back with Leanne Kaʻiulani Ferrer, executive director of Pacific Islanders in Communications.

May is Asian American and Pacific Islander Heritage Month, an opportunity to recognize the long line of visionary storytellers who have contributed to the independent film canon over the years—and an opportunity to underline the richness and diversity of Asian diasporas in the United States. To celebrate the month, we’re introducing a new series called In Focus, in which we turn the spotlight on our friends at AAPI-led arts organizations around the country, and we’re kicking things off chatting with Francis Cullado, executive director of the Los Angeles–based nonprofit Visual Communications.
Founded in 1970 as a filmmaking collective, Visual Communications was the first U.