Meet the Sundance Institute Lab Fellows, Class of 2022
For 41 years, the Sundance Institute has hosted filmmaking labs, bringing emerging filmmakers together with veteran writers, directors, editors, actors, and producers to workshop the
For 41 years, the Sundance Institute has hosted filmmaking labs, bringing emerging filmmakers together with veteran writers, directors, editors, actors, and producers to workshop the
photo by Henny Garfunkel Dear Sundance community, Over the summer we have been conducting a search for the Sundance Institute’s next Festival Director and head
Andie MacDowell plays a repressed wife in the 1989 Sundance Film Festival work, Sex, Lies, and Videotape. By Vanessa Zimmer The best films take us
Tilda Swinton plays four roles in Teknolust, that of a biogeneticist and three automatons she creates from her own DNA. By Vanessa Zimmer No one
Regina Hall and Sterling K. Brown appear in Honk For Jesus. Save Your Soul. By Vanessa Zimmer Ah, September. When summer surfers, tent campers, and
[Pictured: Jamie Marks is Dead] By Stephanie Ornelas Summer settings and horror have always gone hand-in-hand. Think of Friday the 13th, The Hills Have Eyes, and
Selected fellows Mayanna Berrin, Kiana Butler Jabangwe and Danielle Solomon to develop original comedic projects with the guidance of some of the most accomplished Black
The Sundance Film Festival is supercharged to return in 2023, with an exciting new plan that complements in-person screenings and festivities in Utah with an
Ruby (Emilia Jones) and her father (Troy Kotsur) share a moment in CODA. Courtesy of Apple TV+ Every year, the independent film world anxiously awaits
[pictured: Half the Picture] Eight Sundance Festival Premieres About Women’s Rights to See on Women’s Equality Day By Stephanie Ornelas Today is International Women’s Equality
Abby McEnany co-created and stars in the dark comedy Work in Progress, about a queer woman dealing with life and relationships. The Sundance Institute support
By Stephanie Ornelas Making the transition from directing independent film to TV is a complex endeavor — just ask directors Kogonada and Justin Chon, who
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