Category: News

OXFORD, ENGLAND – Sundance Institute and Skoll Foundation today announced the final five grant recipients of the STORIES OF CHANGE: SOCIAL ENTREPRENEURSHIP IN FOCUS THROUGH DOCUMENTARY initiative, a three-year partnership designed to enable the creation of new, feature-length independent documentary films that frame, examine and amplify social entrepreneurship as an innovative approach to meeting the central challenges of our time. The announcement, which includes a film about Nobel Prize Winner  Muhammad Yunus among the grantees, was made at the Skoll World Forum on Social Entrepreneurship, the premier annual conference that brings together the world’s foremost practitioners and leaders in the field.
In 2008, STORIES OF CHANGE launched a request for proposals and received more than 300 film projects filmmakers around the world interested in telling the stories of social entrepreneurs.

The Seattle Art Museum — in conjunction with Sundance Institute — will celebrate Native American filmmaking with free screenings on April 15, 2009, of Sikumi (On the Ice), a short film directed by Andrew Okpeaha MacLean (Iñupiaq), followed by Miss Navajo, a full-length film directed by Billy Luther (Navajo, Hopi, and Laguna). Highlights of the evening will include a Q&A with filmmaker Billy Luther moderated by Bird Runningwater (Cheyenne and Mescalero Apache), Associate Director, Native American and Indigenous Program for the Sundance Institute.Sundance Institute’s Native American and Indigenous Program hosts screenings, panels, events, and workshops throughout the year designed to foster community and the exchange of ideas among Native American and Indigenous filmmakers.

On Saturday, April 4, Sundance Institute Film Series will present a Short Films Showcase, free screenings of nine short films showcasing the creative, boundary-pushing work of both filmmaking’s rising talent and of established directors — all who have a connection to Sundance Film Festival. Designed to be a free-flowing event, the screenings begin with Shorts Program I at 5 pm, followed at 6:30 pm by Short Films – Big Impact: a filmmaker panel and Q&A moderated by Sundance Film Festival programmers Trevor Groth and Todd Luoto, followed by Shorts Program II at 8 pm. All programs are free to the public and will be held in the Rose Wagner Performing Arts Center’s Jeanné Wagner Theatre, 138 West, 300 South in Salt Lake City.

Los Angeles – Sundance Institute announced today the grantees of the Alfred P. Sloan Foundation Science-in-Film Initiative awards, including recipients of the Sloan Commissioning Grant and the Sloan Fellowship. Sundance Institute’s Sloan Science-in-Film Initiative supports and celebrates films that explore issues of science and technology.

Los Angeles, CA — March 11, 2009—Sundance Institute today announced the appointment of John Cooper as Director of the Sundance Film Festival. Effective immediately, Mr. Cooper will serve as the Festival’s artistic director leading the Festival’s programming and strategic growth, also overseeing activities such as content production, online initiatives and key national and international partnerships.

LOS ANGELES, CA – Sundance Institute today confirmed that effective February 28, 2009, Geoffrey Gilmore is resigning his position as Director, Sundance Film Festival.
Gilmore joined Sundance Institute in 1990. As Director of the Sundance Film Festival he has worked as part of a team of programmers who select films for the annual event, the preeminent showcase for independent film.

When two lifelong buddies decide to take their friendship into unchartered sexual territory, homo awkwardness gives way to a philosophical gabfest in Lynn Shelton’s Humpday. As the shlubbier half of the pair, Festival regular Mark Duplass helped devise the film’s treatment, improvised much of his own dialogue and gamely swapped spit with his male co-star, Joshua Leonard. In a series of conversations with us, Duplass discussed Humpday as well as his role as one of the “founders” of the mumblecore aesthetic.

Sophie Barthes’ haunting comedy Cold Souls takes a literal cognitive journey into filmmaking. Paul Giamatti stars as himself, an actor in the midst of a Chekhovian breakdown; he suffers from an indefinable throb, a pressure, a pain. He turns to the new technology of a glossy white soul-extraction machine to escape his spiritual crisis.

Los Angeles, CA – Sundance Institute and the Ucross Foundation of Wyoming announced today the projects chosen to participate in the 2009 SUNDANCE INSTITUTE PLAYWRIGHTS RETREAT AT UCROSS held February 2-22, 2009. This residency program offers five playwrights and two composers three weeks in which to begin or refine new work at an idyllic working ranch in northeastern Wyoming.  Sundance and Ucross celebrate the tenth year of their residency collaboration in 2009.

Park City, UT —Sundance Institute today announced the launch of a new year-round community film series which expands on the popular Sundance Institute Documentary Film Series to offer works that best represent the Institute’s spectrum of programs and artists. In addition to documentary films, the series will present narrative films, short films, works-in-progress, and film music showcases, featuring the filmmakers and composers in person to introduce the film, moderate discussions and facilitate Q&A discussions with audiences. An outdoor screening is also planned for August.

What makes a person want to reveal private family history to a wide public? What makes us want to watch a movie that accomplishes that act? Natalia Almada (El General) and Dana Perry’s Boy Interrupted) documentaries are unflinching, brooding, unapologetically dark, and personal. Almada, who won the Festival’s Directing Award: U.S.

In Barking Water, the latest film from Sundance Institute Lab alum Sterlin Harjo, Irene (Casey Camp-Horinek) takes Frankie (Richard Ray Whitman) on one last road trip, driving him from the hospital across Oklahoma to see his daughter and grandchild. Along the way, they meet and spend time with friends, family, and random strangers, each encounter shedding a bit more light on the couple’s on-again, off-again relationship and the complicated nature of love and regret. After a recent screening of the film, the director and actors gathered to answer questions from the audience, offering insights into how and why the film was made.