Give Me the Backstory: Get to Know Max Walker-Silverman, the Writer-Director of “Rebuilding”
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick Growing up in New York City, Tory Kamen wasn’t sure what line of work she wanted to get into, but she knew
By Jessica Herndon Welcome to the second edition of Take 5, where we invite you to get familiar with the talented instructors behind our Sundance
Director Sterlin Harjo and creative advisor Mike White at the 2004 Screenwriters Lab. By Jessica Herndon As the Sundance Institute Directors Lab turns 45, we’re
By Jessica Herndon Lauren Greenfield has always had an eye for America’s obsessions. For over two decades, the Emmy Award–winning filmmaker has focused her lens
By Jessica Herndon When it comes to high-stakes television, few shows have captured the intensity and heart of trauma medicine quite like The Pitt. HBO
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon In writer-director Marielle Heller’s feature debut, The Diary of a Teenage Girl, a scene opens with titular teen Minnie (Bel Powley) and
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