Give Me the Backstory: Get to Know Sarah Dowland, the Filmmaker Behind “Sue Bird: In The Clutch”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick Growing up in New York City, Tory Kamen wasn’t sure what line of work she wanted to get into, but she knew
By Jessica Herndon Welcome to the second edition of Take 5, where we invite you to get familiar with the talented instructors behind our Sundance
By Jessica Herndon Lauren Greenfield has always had an eye for America’s obsessions. For over two decades, the Emmy Award–winning filmmaker has focused her lens
By Jessica Herndon When it comes to high-stakes television, few shows have captured the intensity and heart of trauma medicine quite like The Pitt. HBO
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon In writer-director Marielle Heller’s feature debut, The Diary of a Teenage Girl, a scene opens with titular teen Minnie (Bel Powley) and
By Jessica Herndon Producer Anne Carey’s history with the Sundance Institute runs deep. The first film she produced, The Laramie Project, based on the play
Diane Quon speaks with an advisor at Sundance Institute’s 2019 Creative Producing Lab. (Photo by Jen Fairchild) By Lucy Spicer When producer Diane Quon joins
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent