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Give Me the Backstory: Get to Know Grace Glowicki, the Filmmaker Behind “Dead Lover”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

“The AI Doc” Asks the Question No One Wants to Answer
(L-R) Charlie Tyrell and Daniel Roher attend “The AI Doc: Or How I Became An Apocaloptimist” Premiere during the 2026 Sundance Film Festival at The

Announcing the 2026 Sundance Institute | Sandbox Fund Grantees
16 Science-Focused Nonfiction Projects Selected for Funding LOS ANGELES, CA, March 23, 2026 — The nonprofit Sundance Institute and Sandbox Films announced today the names

Give Me the Backstory: Get to Know Addison Heimann, the Writer-Director of “Touch Me”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

The Premiere of “Dead Lover” Showcases Grave Robbing and Sex With a Giant Finger
(L-R) The cast and crew of “Dead Lover” at The Ray Theater for its premiere at the 2025 Sundance Film Festival. (Photo by Robin Marshall/Shutterstock

Sundance Institute Has Long History of Oscar-Winning Documentaries
by Vanessa Zimmer, updated by Sundance Institute Editorial Staff This Sunday marked the 98th Academy Awards and we’re beyond honored to have several nominations, including
The Latest

Give Me the Backstory: Get to Know Grace Glowicki, the Filmmaker Behind “Dead Lover”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

Give Me the Backstory: Get to Know Meera Menon, the Director and Co-Writer of “Didn’t Die”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

“The AI Doc” Asks the Question No One Wants to Answer
(L-R) Charlie Tyrell and Daniel Roher attend “The AI Doc: Or How I Became An Apocaloptimist” Premiere during the 2026 Sundance Film Festival at The
Festival

Give Me the Backstory: Get to Know Meera Menon, the Director and Co-Writer of “Didn’t Die”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

“The AI Doc” Asks the Question No One Wants to Answer
(L-R) Charlie Tyrell and Daniel Roher attend “The AI Doc: Or How I Became An Apocaloptimist” Premiere during the 2026 Sundance Film Festival at The

Give Me the Backstory: Get to Know Tony Benna, the Filmmaker Behind “André is an Idiot”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Festival Highlights
News

Give Me the Backstory: Get to Know Grace Glowicki, the Filmmaker Behind “Dead Lover”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

“The AI Doc” Asks the Question No One Wants to Answer
(L-R) Charlie Tyrell and Daniel Roher attend “The AI Doc: Or How I Became An Apocaloptimist” Premiere during the 2026 Sundance Film Festival at The

Announcing the 2026 Sundance Institute | Sandbox Fund Grantees
16 Science-Focused Nonfiction Projects Selected for Funding LOS ANGELES, CA, March 23, 2026 — The nonprofit Sundance Institute and Sandbox Films announced today the names
Artist Spotlight

Give Me the Backstory: Get to Know Mathias Broe, the Director Behind “Sauna”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

Give Me the Backstory: Get to Know Shoshannah Stern, the Director of “Marlee Matlin: Not Alone Anymore”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

Give Me the Backstory: Get to Know Astrid Rondero and Fernanda Valadez, the Co-Directors of “Sujo”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
From the Labs

Film Festival Watch: 24 Sundance Institute–Supported Films to Catch at the SXSW Film Festival
By Jessica Herndon We love kicking off each year by introducing the world to powerful projects from dynamic voices at the Sundance Film Festival. It’s

Writer-Director Hasan Hadi on the Making of “The President’s Cake” and the Near-Spiritual Power of the Sundance Institute Labs
By Lucy Spicer How does an emerging filmmaker get their first feature all the way to the Oscars shortlist? For writer-director Hasan Hadi, an award-winning

Inside the Creative Process of the 2026 Oscar-Nominated Directors Who Got Their Start at Sundance Institute Labs
Chloé Zhao, Michelle Satter, and Ryan Coogler. Photo by Chelsea Lauren for Shutterstock / Sundance Film Festival By Jessica Herndon While accepting her Trailblazer Award
Now Playing

Give Me the Backstory: Get to Know Grace Glowicki, the Filmmaker Behind “Dead Lover”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

Writer-Director Hasan Hadi on the Making of “The President’s Cake” and the Near-Spiritual Power of the Sundance Institute Labs
By Lucy Spicer How does an emerging filmmaker get their first feature all the way to the Oscars shortlist? For writer-director Hasan Hadi, an award-winning

Film Festival Watch: See These 18 Sundance Institute–Supported Docs at the 2026 True/False Film Fest
Barbara Hammer appears in Barbara Forever by Brydie O’Connor, an official selection of the 2026 Sundance Film Festival. Courtesy of Sundance Institute | photo by
Collab

Oscar-Nominated Director Chloé Zhao on Making “Hamnet” and Coping With Creative Blocks
By Jessica Herndon Filmmaker Chloé Zhao has a singular way of channeling poetic and visceral energy, both on screen and off. It’s nearly impossible to

How the Sound of Celine Song’s “Materialists” Elevates Every Beat
By Jessica Herndon Sound and music aren’t embellishments in film — they’re storytelling tools that can shape emotional beats and signature settings. Think of the

Take 5: Sundance Collab Instructor K.D. Roeder Daza on the Benefit of Being “Humble, Not Hidden”
By Jessica Herndon Welcome to the second edition of Take 5, where we invite you to get familiar with the talented instructors behind our Sundance
Creative Distribution

From the Archives: The 3 Things It Takes to Be an Independent Producer
As the spiritual closing of Sundance Institute’s Creative Producing Summit, Sundance Film Festival director John Cooper wrapped up the weekend with the “One Word Challenge.”Cooper’s challenge to his three keynote guests was simple: “It is 2011, and the most important thing a producer needs to survive is …” Panelists were given this one-word task by email before arriving in Utah and told to bring their best thinking to the audience of creative fellows and advisors. The experiment is both simple and profound, and audience members were invited to play along with cards of their own.

‘I Knew People Wanted to See It’: The ‘In Reality’ Team on Why and How They Self-Distributed
In part one of this interview, In Reality writer/director/star Ann Lupo and producer Holly Meehl shared how they got their anti-romantic comedy feature off the ground. In this second and final part, we explore how they navigated self-distribution.
Were you building an audience along the way? How did you keep people engaged?
AL: During post-production I took on a side project editing a short for Casey Neistat called “Filmmaking is a Sport,” and it completely changed my perspective on YouTube.

From Short Film to Unexpected Feature: How ‘In Reality’ Came to Life
Liz Manashil is a filmmaker and former manager of Sundance Institute’s Creative Distribution Initiative.
A few months ago, before I had a baby, I encountered the anti-romantic comedy feature film In Reality, which I immediately fell for. As I told the filmmakers later, it was the movie I needed when I was in my early 20s.
From the Archives

Give Me the Backstory: Get to Know Grace Glowicki, the Filmmaker Behind “Dead Lover”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

Give Me the Backstory: Get to Know Meera Menon, the Director and Co-Writer of “Didn’t Die”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

“The AI Doc” Asks the Question No One Wants to Answer
(L-R) Charlie Tyrell and Daniel Roher attend “The AI Doc: Or How I Became An Apocaloptimist” Premiere during the 2026 Sundance Film Festival at The

Give Me the Backstory: Get to Know Tony Benna, the Filmmaker Behind “André is an Idiot”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent