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ICYMI, the Sundance Institute teamed up with TheFutureParty recently to launch Club Cinema, a new series on Clubhouse where audiences are invited to hear directly from the creators of their favorite new releases — and maybe even ask a question of their own. More details here!
During Summertime’s world premiere at the 2020 Sundance Film Festival — during the peak of a snowy Park City, Utah, winter — writer-director Carlos Lopez Estrada called his free-verse love letter to Los Angeles a “miracle movie.” “We basically sold the movie on a three-sentence pitch,” he remarked of the communal project, which weaves together the stories of more than 30 disparate characters in a loose, roving, Slacker-esque narrative style over the course of a hot summer day.

Welcome to the May 2021 edition of Release Rundown, where we fill you in on the latest and greatest Sundance-supported films hitting streaming sites, virtual screening rooms, TV channels, and IRL cinemas across the U.S. for the first time.

Welcome to Release Rundown, your monthly look at the Sundance-supported titles hitting theaters and streaming platforms. In this revamped column, we’ll let you know where you can find each release, offer up trailers, and also clue you in on some classic Festival titles currently available on streaming platforms like Netflix, Amazon Prime, HBO Max, Hulu, Criterion Channel, and beyond. Here’s a look at everything you’ll want to add your your queue in April 2021.

Growing up, Madeleine Sims-Fewer and Dusty Mancinelli were fascinated by iconic male anti-heroes like Taxi Driver’s Travis Bickle and Harvey Keitel’s titular character from Bad Lieutenant. “These were the films that made us want to make movies, and we realized we weren’t really seeing the same number of female antiheroes,” they explained to us before the U.S.

Just days after its world premiere at the 2021 Sundance Film Festival, Shaka King’s second feature, Judas and the Black Messiah, has already racked up two Golden Globe nominations (for Daniel Kaluuya’s supporting turn as Fred Hampton and for its original song, “Fight for You”). Luckily for you, if you missed it during our online screenings, you won’t have to wait long to catch the drama, which also features Festival alum LaKeith Stanfield. The project begins streaming on HBO Max next Friday, February 12; it will also have a limited theatrical run.

How do you like your holiday-season films? Heartwarming? Romantic? Perhaps complex and a bit disturbing? December’s giant crop of Sundance-supported new releases have all your bases covered, providing fodder for every kind of moviegoer as we wrap up 2020 and look ahead to our next crop of Festival selections.
On the heartwarming tip, keep an eye out for the opening of Lee Isaac Chung’s sweet family drama Minari, which will roll out to select theaters in L.A.

Back in January — before we all started stocking up on hand sanitizer, customizing reusable face masks, and becoming intimately acquainted with the many intricacies of Zoom — Brandon Cronenberg arrived in Park City for his first-ever Sundance Film Festival, where he was set to premiere his second-ever feature, Possessor.
Featuring a trio of deeply unsettling performances by Andrea Riseborough, Christopher Abbott, and Jennifer Jason Leigh, the film, retitled Possessor Uncut for its limited theatrical U.S.

If you can use some levity in your Halloween movie nights this year, check out three picks from the 2020 Sundance Film Festival that infuse a bit of comedy into the traditional horror genre. In Justin Simien’s satirical, ’80s-set Bad Hair, a weave takes on a mind of its own as an ambitious young woman tries everything to succeed in the image-obsessed world of music television.
For more laughs than scares, watch Josh Ruben’s cabin-fire storytelling romp Scare Me, or catch Alex Huston Fischer and Eleanor Wilson’s Save Yourselves!, an apocalyptic satire in which a decidedly nonsurvivalist millennial couple face an invasion from an otherworldly force.

September’s slate of Sundance Institute–supported releases features a strong lineup of documentaries that run the gamut from the heartwarming to the harrowing. On the human connection side of the spectrum, Maite Alberdi’s The Mole Agent follows 83-year-old Sergio, who goes undercover to investigate a nursing home but bungles the spy-gear technology and can’t seem to stay on course with the mission. An all-in-one uplifting, cutely funny but meaningful tearjerker, it’s the film we all need in 2020.

The Sundance Film Festival has long been a destination for inspiring documentaries that capture the indomitable spirit of those on the frontlines of world-changing movements—from Mark Kitchell’s 1991 student activism doc Berkeley in the Sixties, to 2012’s wealth inequality exposé We’re Not Broke, to 2017’s Whose Streets?, in which a Ferguson protester implores, “We have to raise a generation of activists. If there’s going to be any change, it starts with our children.” These words are proving true today as young people now lead the swelling antiracism movement across the country and the world.

Eugene Kotlyarenko’s thriller Spree is now streaming after its premiere at the 2020 Sundance Film Festival. Equal parts horror and satire, the film plays out almost entirely through the device screens of its main character and villain, rideshare driver and wannabe influencer Kurt (Joe Keery). Desperate for the validation of strangers, Kurt turns his unsuccessful social media account into a livestream of deadly attacks on his passengers, which only gets more twisted as he amasses more followers.