The Runaways is a love letter to the era and place it portrays—the rock scene in L.A. during the mid to late ’70s—but it’s also a glitzy ode to the sneering little punks who made up The Runaways.
“Do you really think I’m flat-chested?””You look really good, and that’s all that’s important. You don’t want to overdo it.”The last lines of Metropolitan, Whit Stillman’s seminal tale of Upper East Side class and love returned to the Egyptian Theatre in Park City yesterday after 20 years.
Anna Deavere Smith casts a wide net. An award-winning playwright, chameleonic actress, published author, and university professor, Smith’s range belies not only brilliance, but an inexhaustible curiosity. Her art is born of a conviction that there’s always more to know, always assumptions to upend, always more to life and people than we’re willing to acknowledge.
Juan Escobar was born into a life of privilege. His charmed childhood was shattered in 1993, when his father, the notoriously brutal Colombian drug lord, Pablo Escobar, was gunned down in Medellín. Juan Escobar changed his name to Sebastián Marroquín and moved with his mother and sister to Buenos Aires, Argentina, to escape the stigma of his father’s name and reputation, and has struggled to come to terms with his family’s circumstances ever since.
A feature film from Greenland is a true rarity even in the global film festival circuit. So the arrival this year of Nuummioq in the Festival’s World Dramatic Cinema Competition qualifies as an event in itself.
Nuummioq, directed by Torben Bech and Otto Rosing, is a moody character study that follows Malik, a young, introverted construction worker who embarks on a journey that is both physical and spiritual after he is diagnosed with a life-threatening illness.
“To be very honest, I’ve had a growing love affair with cinema,” says New York-based Iranian filmmaker Shirin Neshat, who brings her first feature film project, Women Without Men (Zanan-e bedun-e mardan),to the Festival this year. “Part of it is the form and the power of storytelling and narrative,” she says, “but it’s also the relationship cinema has to its audiences. It’s very, very powerful.
Jay and Mark Duplass radiated giddy exuberance from the stage of the Eccles Theatre before the Saturday evening premiere of their film, Cyrus. The filmmaking brothers got their start in the ultra-low-budget, uber-indie “mumblecore” genre, and seemed genuinely thrilled to arrive at Sundance 2010 as a couple of Festival darlings.Cyrus stars John C.
No one could believe me when I said I had never seen Harold and Maude. I honestly don’t know either how it slipped by me. It’s the perfect film for me: about how life is so amazing and at times so horrible that you have to seize every minute.
Bad news. A film set in the 1980s is a now considered a period film. Director Anthony Burns and writer Brandon Freeman came to that conclusion fairly easily when setting Skateland in early ’80s East Texas.
Critically acclaimed actor Anthony Mackie plays Marcus in Night Catches Us, a beautifully directed drama by first-time feature director Tanya Hamilton, who also wrote the script. Set in Philadelphia in 1976 just after the height of the Black Power movement, the story opens with Marcus’s return to the city he left mysteriously several years earlier, and gradually reveals the complex emotional and political reasons behind his departure. As the story unfolds, we witness the brutality and racism of local police, who act with impunity.
Hungry for art with your food? Wonder where your food comes from? As part of the Sundance Film Festival New Frontier program, farmer and visual artist Matthew Moore will have a video installation in the Park City Fresh Market grocery store, showing the long trek your food has been on to reach your mouth.
Moore is a fourth generation farmer, working on the family farm west of Phoenix, AZ, land his grandfather started plowing in the 1920s. Like a lot of teenagers desperate for a change, he left the farm after high school.
Adrian Grenier, the charming and exceptionally photogenic leading man on HBO’s Entourage, has made a living both on and off the screen as a paparazzi darling. But after being accosted and admittedly bemused by the relentless camera of 13-year-old Austin Visschedyk, Grenier decided to turn the tables on the star-shooting youth and find out what makes a true paparazzo click. His second documentary, Teenage Paparazzo, was the result, and even Grenier was surprised by the journey he and Austin took together.