Category: News

Lulu Wang’s moving drama, The Farewell, came out of last year’s Sundance Film Festival with major buzz—and this past Saturday, the film’s fairytale journey came to an end when the writer/director took to the stage to accept the Best Feature statue at the Independent Spirit Awards. Fittingly, Wang dedicated the award to her grandmother, Nai Nai, who inspired the film’s script, as well as her parents.
“I’m sorry, Mom and Dad, for putting all of your baggage out there, but thank you,” she quipped during the ceremony in Santa Monica, where The Farewell’s Zhao Shuzhen also took home the Best Supporting Female prize.

Park City, UT — Sundance Institute announced Giving Voice as the winner of the Festival Favorite Award, selected by audience votes from the 128 features screened at the 2020 Sundance Film Festival, which took place in Park City, Salt Lake City, and Sundance, Utah, from January 23–February 2, 2020.
The Festival Favorite Award is the 29th and final recognition bestowed on this year’s features, including juried prizes and category-specific Audience Awards; others were announced at a ceremony in Park City on February 1, and a full list is available here. Runners-up and close contenders for the Festival Favorite Award – besides the Audience Awards per category given out on Saturday, titles that also ranked high with festivalgoers include Boys State, On The Record, Binti, Crip Camp, The Fight, The Reason I Jump, Softie, Uncle Frank, and Welcome to Chechnya.

Top Prizes Go To Minari, Boys State, Epicentro, and Yalda, a Night for Forgiveness
Minari, Crip Camp, The Reason I Jump, and Identifying Features (Sin Señas Particulares) Win Audience Awards
Park City, UT — After 10 days and 128 feature films, the 2020 Sundance Film Festival’s Awards Ceremony took place tonight, with jurors presenting 28 prizes for feature filmmaking. Honorees, named in total below, represent new achievements in global independent storytelling. Bold, intimate, and humanizing stories prevailed across categories, with Grand Jury Prizes awarded to Minari (U.

Park City, UT – Today, Sundance Institute announced Tabitha Jackson as the new Director of the Sundance Film Festival. Jackson was chosen from a worldwide search and follows outgoing Director, John Cooper, who served in the role for 11 years and will assume a newly-created Emeritus Director role. An award-winning filmmaker, she has served as Director of the Institute’s Documentary Film Program for the last six years.

So What If The Goats Die Wins Grand Jury Prize
Park City, Utah — Winners of the 2020 Sundance Film Festival jury prizes in short filmmaking were announced tonight by Sundance Institute at a ceremony in Park City, Utah. The Short Film Grand Jury Prize, awarded to one film in the program of 74 shorts selected from a record high 10,397 submissions, went to So What If The Goats Die, directed and written by Sofia Alaoui. The Short Film program is presented by Southwest Airlines®.

Eight Independent Projects Aim to Spark Change
Park City, UT — The non-profit Sundance Institute, in collaboration with Luminate, the global philanthropic organization, today announced six new projects, joining two which had been previously announced, which are being supported by the Sundance Institute | Luminate Fund. The fund provides non-recoupable grants to independent artists working across documentary, narrative, episodic and emerging media whose work display a strong potential for social and cultural impact.
The six new recipients of the grants are And She Could Be Next, directed by Grace Lee and Marjan Safinia; A Cop Movie, directed by Alonso Ruizpalacios; The Fourth Man, directed by Alberto Arnaut; The Forgotten Margins, directed by Mark Grieco; Influence, directed by Diana Neille and Richard Poplak, which will premiere at the 2020 Sundance Film Festival; and La Vocera, directed by Luciana Kaplan.

Filmmaker Tamara Kotevska had never made a feature before arriving in Bekirlija, Macedonia, to shoot Honeyland. As she recounted to Filmmaker magazine, she and her co-director, Ljubomir Stefanov, spent the next three years living and working in the remote village without running water or electricity, dealing with extreme temperatures as well as swarms of bees. “It all seems like a fairytale,” Kotevska and Stefanov said of their incredible journey, after Honeyland premiered to great buzz and acclaim at the 2019 Sundance Film Festival.

From the tiny Harlem apartment housing a 40-year-old playwright turned rapper to a bustling newsroom in the Philippines to the haunted Vermont abode of novelist Shirley Jackson, the women-directed films premiering at the 2020 Sundance Film Festival later this month will take you on a far-reaching journey. This year, of the 56 competition films, 46% are directed by women—an especially significant statistic when you consider that just 4.2% of the 100 top-grossing American films are made by female directors every year (a number that thankfully jumped higher to 10.

Welcome to our comprehensive list of all the major panels, events, and gatherings hosted at official Sundance Film Festival venues that center and celebrate voices from traditionally marginalized communities. Hosted by Sundance Institute, allied organizations, regional collaborators, artists collectives and more, these events raise discourse on equity, representation, and inclusion in the broader media landscape.
Join these artists and industry leaders that are changing the narrative of the future.

Following founder and President Robert Redford’s original vision, Sundance Institute has remained committed to supporting Indigenous artists throughout the Institute’s history. This has established a rich legacy of work and has supported more than 350 filmmakers through labs, grants, mentorships, public programs, and the platform of the Sundance Film Festival. The Institute’s Indigenous Program has a global focus and through its work strengthens Indigenous cinema.

Twenty-five percent of Americans live with disabilities, yet when disability is portrayed on-screen, Hollywood often misses the mark. “I loathe ‘overcoming disability’ storylines,” visual artist and filmmaker Alison O’Daniel, who is also hard of hearing, told us at Sundance Institute’s recent Impact Intensive, underscoring the importance of empowering artists with disabilities to tell their own stories.
With the launch of our Outreach & Inclusion and Impact, Engagement and Advocacy programs at Sundance Institute, we’ve collaborated in the field to convene and support artists with disabilities whose creative practice and work explores access, justice, neurodiversity, sound, and vision.