Give Me the Backstory: Get to Know Greg Jardin, the Writer-Director of “It’s What’s Inside”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
A still from Daniel Barosa’s “Boi de Conchas (The Shell Covered Ox),” which screened as part of Short Film Program 4 at the 2024 Sundance
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Carol Kane, “Between the Temples” (photo by Presley Ann/Shutterstock for Sundance) By Matthew Eng There’s a scene early in Nathan Silver’s Between the Temples where
by Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Writer-director Jennifer Kent’s “The Babadook” is returning to the big screen on September 19 to celebrate its 10th anniversary. (Photo courtesy of IFC Films) By
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