Give Me the Backstory: Get to Know Amel Guellaty, the Writer-Director of “Where the Wind Comes From”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
A still from Vea Mafile’o’s “Lea Tupu’anga / Mother Tongue,” which screened as part of Short Film Program 2 at the 2024 Sundance Film Festival.
By Bailey Pennick Every time you watch a film, you’re taking a leap. A leap into someone else’s point of view, a leap into a
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
A still from Daniel Barosa’s “Boi de Conchas (The Shell Covered Ox),” which screened as part of Short Film Program 4 at the 2024 Sundance
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
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