What to Watch at the 2022 Festival: Don’t Miss These LGBTQ+ Films
By Katie Small From 1985’s Before Stonewall to 2017’s Call Me By Your Name, provocative queer film has been a staple of the Sundance Film
By Katie Small From 1985’s Before Stonewall to 2017’s Call Me By Your Name, provocative queer film has been a staple of the Sundance Film
By Stephanie Ornelas “If the camera is predatory, then the culture is predatory as well.” This is one message director Nina Menkes wanted to send
By Vanessa Zimmer Writer-director Riley Stearns is known for creating a world where everyone speaks in a deadpan cadence. And nowhere is that played to
By Bailey Pennick A simple knock on a door starts it all. While this is a semi-accurate way to describe the beginning of the intimate
by Katie Small Motherhood and the immigrant experience are big themes in many of this year’s Festival selections, and Nanny delivers both. In the pre-recorded
By Bailey Pennick Sometimes you just need to rip the Band-Aid off. Yes, it hurts like hell and, yes, it’s still going to leave that
By Katie Small To say viewers were in shock after the Midnight premiere of Speak No Evil might just be an understatement. Despite the late
By Stephanie Ornelas When Korean journalist K.W. Lee first wrote to Chol Soo Lee, who was on death row at a California prison, he had
By Vanessa Zimmer March of time be damned, these Florida women who call themselves the “Calendar Girls” are going to put on their makeup, slip
By Vanessa Zimmer Philippines-based writer-director Martika Ramirez Escobar sees life as one big, long movie that we’re revising, revising, and revising again, until it is
By Katie Small From the Festival that brought you some of the most iconic and deeply disturbing horror flicks of the last several decades —
Naz Kawakami appears in Every Day in Kaimukī by Alika Tengan. By Vanessa Zimmer Basil Tsiokos and his fellow programmers had the pleasure, and the challenge, of