
“God’s Country” Features Intense Performance by Thandiwe Newton
By Vanessa Zimmer Director and co-writer Julian Higgins describes his feature-film debut, God’s Country, as a study of what happens when a woman’s moral code
By Vanessa Zimmer Director and co-writer Julian Higgins describes his feature-film debut, God’s Country, as a study of what happens when a woman’s moral code
By Vanessa Zimmer Imagine if the Sundance Institute looked in the mirror and saw Indie Memphis staring back. The similarity of their profiles is remarkable.
By Vanessa Zimmer Francisca Alegría’s poignant debut feature film, The Cow Who Sang a Song Into the Future, explores the secret landscapes of family relationships,
Eagle eye viewers of our program might have noticed that within the U.S. Documentary Competition section of our 2022 Film Festival lineup there were only
by Bailey Pennick “Remember that this is a faith-based movie,” say Clarence “Coodie” Simmons and Chike Ozah, the directing duo behind one of the most
By Vanessa Zimmer Director and co-writer Julian Higgins describes his feature-film debut, God’s Country, as a study of what happens when a woman’s moral code
By Amy Felix Stewart Journalists, investigators, and storytellers of all types know they must answer certain basic questions — who, what, when, where, why, and
By Katie Small If you could travel back in time to any point within your own life — under what circumstances could you be persuaded
By Vanessa Zimmer Francisca Alegría’s poignant debut feature film, The Cow Who Sang a Song Into the Future, explores the secret landscapes of family relationships,
By Stephanie Ornelas In this day and age, it’s shocking to discover that the truth about many atrocities committed against minorities has been omitted from
By Katie Small Something in the Dirt is a strange trip. The pandemic brainchild of collaborators Aaron Moorhead and Justin Benson features paranormal activity, pseudo-science,
By Vanessa Zimmer Writer-director Riley Stearns is known for creating a world where everyone speaks in a deadpan cadence. And nowhere is that played to
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