Give Me the Backstory: Get to Know Laura Casabé, the Director Behind “The Virgin of the Quarry Lake”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Director Sara Dosa and producer Shane Boris talk about “Fire of Love” at the 2022 Sundance Film Festival: London. [Editor’s Note: This piece was originally
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
(L–R) Joan Tewkesbury and Joan Darling at the 2018 Sundance Institute Directors Lab (Photo by Brandon Cruz) By Lucy Spicer It’s easy to feel cynical
[Pictured: A still from Sujo] By Stephanie Ornelas “There are so many stories and layers to be told within Ciudad de México,” Paloma Riojas says over
By Shahnaz Mahmud A screenwriter on the rise. A long forgotten script. A producer who unearthed it and held onto the dream of making it