Category: News

Writers and Advisors from a Broad Array of Backgrounds Come Together to Advance Distinctive Screenplays
LOS ANGELES — Twelve screenwriters have been selected to participate in Sundance Institute’s eighth annual Screenwriters Intensive in Los Angeles, to take place March 4-5, 2020. The Intensive, a two-day workshop for select emerging writers and writer-directors from underrepresented communities, focuses on the development of first fiction features. Fellows at the Intensive will advance the art and craft of their work under the guidance of experienced filmmakers and the Institute’s Feature Film Program, led by Founding Director Michelle Satter and Deputy Director Ilyse McKimmie.

As part of an ongoing partnership focused on developing and nurturing the next generation of independent artists, Sundance Institute and the John S. and James L. Knight Foundation select a handful of Knight Fellows to attend the Sundance Film Festival every year as part of our Talent Forum.

Black women directors have created some of the most powerful, nuanced, and layered stories of our time. From indie hits to serious blockbusters, projects written and directed by Black women have proven to be essential in contributing a unique cinematic gaze. In the span of 40 years, Sundance Institute has supported numerous black women artists in telling their stories via labs, grants, and the annual Festival in Park City.

Seven fellows participate in a cross-disciplinary program reimagined for the next wave of storytellers
NEW YORK—February 11, 2020— Sundance Institute, a nonprofit organization that provides and preserves the space for independent artists in film, theatre, and media to create and thrive, and Ucross, a prestigious artist residency program and creative laboratory for the arts, and have announced seven fellows participating in the 21st annual Sundance Institute Artist Residency at Ucross in Wyoming, currently taking place February 3–21, 2020. This year, the retreat was renamed (formerly the Sundance Institute Playwrights & Composers Retreat) to reflect its cross-disciplinary structure.After more than two decades of success, the Residency will continue to provide the transformative benefits of uninterrupted time for creative work.

Lulu Wang’s moving drama, The Farewell, came out of last year’s Sundance Film Festival with major buzz—and this past Saturday, the film’s fairytale journey came to an end when the writer/director took to the stage to accept the Best Feature statue at the Independent Spirit Awards. Fittingly, Wang dedicated the award to her grandmother, Nai Nai, who inspired the film’s script, as well as her parents.
“I’m sorry, Mom and Dad, for putting all of your baggage out there, but thank you,” she quipped during the ceremony in Santa Monica, where The Farewell’s Zhao Shuzhen also took home the Best Supporting Female prize.

Park City, UT — Sundance Institute announced Giving Voice as the winner of the Festival Favorite Award, selected by audience votes from the 128 features screened at the 2020 Sundance Film Festival, which took place in Park City, Salt Lake City, and Sundance, Utah, from January 23–February 2, 2020.
The Festival Favorite Award is the 29th and final recognition bestowed on this year’s features, including juried prizes and category-specific Audience Awards; others were announced at a ceremony in Park City on February 1, and a full list is available here. Runners-up and close contenders for the Festival Favorite Award – besides the Audience Awards per category given out on Saturday, titles that also ranked high with festivalgoers include Boys State, On The Record, Binti, Crip Camp, The Fight, The Reason I Jump, Softie, Uncle Frank, and Welcome to Chechnya.

Top Prizes Go To Minari, Boys State, Epicentro, and Yalda, a Night for Forgiveness
Minari, Crip Camp, The Reason I Jump, and Identifying Features (Sin Señas Particulares) Win Audience Awards
Park City, UT — After 10 days and 128 feature films, the 2020 Sundance Film Festival’s Awards Ceremony took place tonight, with jurors presenting 28 prizes for feature filmmaking. Honorees, named in total below, represent new achievements in global independent storytelling. Bold, intimate, and humanizing stories prevailed across categories, with Grand Jury Prizes awarded to Minari (U.

Park City, UT – Today, Sundance Institute announced Tabitha Jackson as the new Director of the Sundance Film Festival. Jackson was chosen from a worldwide search and follows outgoing Director, John Cooper, who served in the role for 11 years and will assume a newly-created Emeritus Director role. An award-winning filmmaker, she has served as Director of the Institute’s Documentary Film Program for the last six years.

So What If The Goats Die Wins Grand Jury Prize
Park City, Utah — Winners of the 2020 Sundance Film Festival jury prizes in short filmmaking were announced tonight by Sundance Institute at a ceremony in Park City, Utah. The Short Film Grand Jury Prize, awarded to one film in the program of 74 shorts selected from a record high 10,397 submissions, went to So What If The Goats Die, directed and written by Sofia Alaoui. The Short Film program is presented by Southwest Airlines®.

Eight Independent Projects Aim to Spark Change
Park City, UT — The non-profit Sundance Institute, in collaboration with Luminate, the global philanthropic organization, today announced six new projects, joining two which had been previously announced, which are being supported by the Sundance Institute | Luminate Fund. The fund provides non-recoupable grants to independent artists working across documentary, narrative, episodic and emerging media whose work display a strong potential for social and cultural impact.
The six new recipients of the grants are And She Could Be Next, directed by Grace Lee and Marjan Safinia; A Cop Movie, directed by Alonso Ruizpalacios; The Fourth Man, directed by Alberto Arnaut; The Forgotten Margins, directed by Mark Grieco; Influence, directed by Diana Neille and Richard Poplak, which will premiere at the 2020 Sundance Film Festival; and La Vocera, directed by Luciana Kaplan.

Filmmaker Tamara Kotevska had never made a feature before arriving in Bekirlija, Macedonia, to shoot Honeyland. As she recounted to Filmmaker magazine, she and her co-director, Ljubomir Stefanov, spent the next three years living and working in the remote village without running water or electricity, dealing with extreme temperatures as well as swarms of bees. “It all seems like a fairytale,” Kotevska and Stefanov said of their incredible journey, after Honeyland premiered to great buzz and acclaim at the 2019 Sundance Film Festival.