Category: News

You may be aware that the Sundance Film Festival couldn’t operate without the army of volunteers who make it possible to produce the Festival every year. Anyone who’s been uncertain about which shuttle bus to board, which line to stand in at a Festival venue, or attended a Festival screening has been helped by a Festival volunteer.
The numbers behind the Festival’s volunteer operations are impressive, despite the ubiquity of the volunteers during the Festival: there are 1,650 volunteers at this year’s Festival, about 350 different kinds of jobs those volunteers need to do, and approximately 5,000 shifts that need to be filled during the 10 days of the Festival.

A veteran of both the Sundance Film Festival as well as Sundance Institute’s Feature Film Program, accomplished short filmmaker Moon Molson marks his return to the Festival this year with the world premiere of Crazy Beats Strong Every Time. This hefty character study follows a night in the life of an African-American twenty-something suddenly saddled with the burden of dealing with his deadbeat stepfather who has abruptly come back into his life by way of passing out drunk in the hallway of their housing project. Molson credits the inspiration for the subject matter “from some of the people I grew up with.

Five and a half years ago, as she began writing the script that became Pariah, Dee Rees was coming out to her family. Like the family of 17-year-old Alike in Pariah, Rees’s parents aren’t accepting of her sexuality. During the Festival, audiences may speak of Pariah as a coming-out movie, a film in which Alike (Adepero Oduye) realizes her potential when she makes the decision to reveal what everyone may have already guessed about her.

The movie geeks were out in force Friday morning at the Filmmaker Lodge, drawn there by the irresistible siren song that was the inaugural Cinema Café of the 2011 Sundance Film Festival. Sure, the couches are comfy, and the good folks at Chase Sapphire are providing coffee and snacks all Fest long, but the real draw was two icons of outsider cinema. We’re talking legendary writer-producer-director-impresario of the insane Roger Corman — subject of the documentary Corman’s World: Exploits of a Hollywood Rebel — screening in the Park City at Midnight showcase, and peerless actor-human dynamo Rutger Hauer, who appears in two films at this year’s Festival, Hobo With a Shotgun and The Mill & The Cross.

Although Sundance Film Festival Director John Cooper explained at yesterday’s Day One press conference that 2011 is the first year that films from all of the Festival’s competition sections kicked off the 10-day celebration, Thursday night was more bustling than ever, with films from the U.S. and World Cinema Dramatic and Documentary competitions, along with one program of shorts.

New for the 2011 Sundance Film Festival is the Native Showcase, focusing attention on an emerging generation of Native American and Indigenous filmmakers. The program, which includes Billy Luther’s second feature film, a documentary titled GRAB, and a collection of seven shorts, gets its own place in the spotlight this year.
Native and Indigenous films have been well represented in the Festival’s Dramatic Competition sections over the past several years, and this year is no exception with Andrew Okpeaha MacLean’s On the Ice, which will screen in the U.

PARK CITY, UT — Sundance Institute and Mahindra Group today announced a multifaceted agreement that showcases the commitment to and support of independent cinema around the world both by the Mahindra Group, one of the largest companies in India known throughout the world for its commitment to excellence and to social responsibility, and of the nonprofit Sundance Institute, one of the world’s leading cultural organizations
The collaboration allows for the establishment of the Mumbai Mantra|Sundance Institute Screenwriters Lab which shall become an annual event in India, and the Sundance Institute|Mahindra Global Filmmaking Award to be awarded annually at the Sundance Film Festival.
Said Anand Mahindra, Vice Chairman and Managing Director of Mahindra Group, “Our entry into Media and Entertainment is positioned to create a rich resource for Independent Filmmakers and to encourage original storytelling from all parts of the world in line with the Mahindra Group’s global foot print. The first step in this direction is the collaboration with the Sundance Institute which three decades ago heralded a unique nurturing spirit for Independent Cinema in America.

From its inception, the Sundance Film Festival has championed documentary filmmaking, through both the U.S. and World Cinema Documentary competitions and in Sundance Institute’s Documentary Film Program, all of which are dedicated to supporting and showcasing new directions and emerging filmmakers in non-fiction filmmaking.

NEW YORK, NY January 17, 2011 – Fashion designer Kenneth Cole teams up with the Sundance Institute for the seventh year by designing and donating the uniform that will be worn by the 1,600 Sundance Film Festival volunteers January 20-30. Presented to the volunteers on Day One of the festival, this year’s iconic style is a blue down filled vest which features channel quilting, welt pockets, and a functional glove hook.
For the first time, Kenneth Cole has also collaborated with Sundance Institute on the design of a limited edition retail version of the official Sundance Film Festival volunteer vest.

Park City, UT- Sundance Institute today announced members of five juries awarding prizes at the upcoming Sundance Film Festival which runs January 20-30, 2011. The juries are comprised of 23 individuals spanning the global arts community. Juror photos and extended biographies, in addition to the complete Festival lineup and schedule, are available at www.

You won’t find Lance Weiler wringing his hands over the uncertain future of visual media. Instead he’s evolving alongside the changing industries, experimenting with new forms, new models, and new concepts, making waves as much as he’s riding them. Bringing a shrewd business sense to the development of his projects, he can sound more like a marketing wonk than a filmmaker, and yet he always manages to circle back to the power and promise of storytelling.

Premiering at the Sundance Film Festival is a significant enough achievement, but for six directors with films in the U.S. Dramatic Competition this year, it’s also a coming home.