As we wrapped up our first-ever New Frontier Story Lab at the Sundance Resort in Utah, we took a few minutes to check in with 10 guests as they checked out on their way home. Our ninth interview is with Shari Frilot, senior programmer at the Sundance Film Festival and curator of the New Frontier section. Between watching hundreds of films, Shari dropped down into the lab for a couple days to see how it was evolving.
Los Angeles, CA — The seven artists and projects that participated in the seventh annual Rawi Screenwriters Lab were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab was held October 30 through November 3, with Fellows from Algeria, Jordan, Lebanon, Palestine and Syria participating, as well as Creative Advisors from the U.S.
A quick caveat for eager Festivalgoers: Sundance Ticketing favors the informed. Appropriately, a little effort goes a long way, and we’re here to help you catch every film on your wish list. The opportunity to purchase Festival Passes and Ticket Packages is quickly fading, but registration for Individual Tickets will be available beginning November 8 and purchasing is possible through the Festival.
As we wrapped up our first-ever New Frontier Story Lab at the Sundance Resort in Utah, we took a few minutes to check in with 10 guests as they checked out on their way home. Our seventh interview is with Cara Mertes, Director of the Sundance Institute Documentary Film Program. She collaborated with Michelle Satter from the Feature Film Program to present the lab itself.
As we wrapped up our first-ever New Frontier Story Lab at the Sundance Resort in Utah, we took a few minutes to check in with 10 guests as they checked out on their way home. Our fifth interview is with Kristin Feeley, Associate Director of the Sundance Institute Documentary Film Program, which collaborated with the Feature Film Program to present the lab itself.
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As we wrapped up our first-ever New Frontier Story Lab at the Sundance Resort in Utah, we took a few minutes to check in with 10 guests as they checked out on their way home. Our fourth interview is with Chris Johnson, one of the inaugural creative fellows at the New Frontier Story Lab. Johnson originated the concept of his project Question Bridge in 1996 as a video installation.
As we wrapped up our first-ever New Frontier Story Lab at the Sundance Resort in Utah, we took a few minutes to check in with 10 guests as they checked out on their way home. Our third interview is with Nick Fortugno, artist and Creative Advisor to the New Frontier Story Lab. Game Designer, Teacher and Playmatician, Nick dazzled us and became the first man in Institute history to play Xbox live in the Sundance Screening Room.
Aaron Koblin loves bits and bytes and data. He thinks they’re beautiful and intriguing. He, and his large following of fans, even think data can be Art.
Mozilla and Sundance Institute have something in common—it’s surprising to a lot of people to find out that they are both non-profit organizations. Their missions are unified by joint passions for independent and open-source culture.We invited Mozilla guru Ben Moskowitz to come to “The Mountain” and talk all things #transmedia with our lab fellows for the first New Frontier Story gathering at the Sundance Resort in Utah.
Los Angeles, CA – Sundance Institute today announced the appointment of Sarah Eaton to Director of Media Relations. Eaton will oversee media relations for all programs of the non-profit Institute, including the annual Sundance Film Festival. She will begin November 14, reporting to Director of External Relations Jennifer Arceneaux.
Ed. note: This story was originally published in October 2011 when Sundance Institute held its first-ever New Frontier Story Lab.It’s been said that all the important ideas and projects in Sundance Institute’s storied 30-year history have started at picnic tables.
In my (minimal) experience as a filmmaker who’s traveled the festival circuit a bit, I’ve found that you go through all kinds of screenings for your own film—full ones, indifferent ones and empty ones with a handful of people. I’ve had my share of empty halls and have come to accept the disappointing ones as part of the learning curve.But, having said that, I’ve also had my share of great screenings.