
Rodrigo Cortes’s ‘Red Lights’ Shines a Supernatural Spotlight on Cillian Murphy
On Friday night, when Rodrigo Cortés premiered Red Lights to a packed Eccles Theatre, he offered up a piece of advice to the 1,200 audience members: “Don’t expect anything.” Duly noted, but audiences were hungry for the director’s follow-up to his much buzzed about Buried, which premiered at the 2010 Festival and boldly put Ryan Reynolds in a coffin for two suspenseful hours in a Hitchcockian, politically-charged thriller. His new film inhabits a similar tension-filled terrain; but Cortés is working on a much larger canvas here, having upgraded from Buried’s $3 million budget, claustrophobic one set, one actor storyline to Red Light’s $15-17 million budget, with an intricately twisted plot.

