
Contemplating the Cut: The Art and Craft of Nonfiction Editing
On Saturday, May 12, in Los Angeles, Sundance Institute and the Karen Schmeer Film Editing Fellowship partnered for the fourth year in a row to bring together documentary filmmakers to discuss the art and craft of nonfiction editing.
I return time and again to Jonathan Oppenheim’s brilliant keynote, delivered at the first event four years ago, which Sundance Institute’s Kristin Feeley referenced this year in her opening remarks. She highlighted Oppenheim’s distinction between two models for the role of the editor: the “artistic model” and the “industrial model.










