Give Me the Backstory: Get to Know Alireza Khatami, the Director of “The Things You Kill”
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Director Sterlin Harjo and creative advisor Mike White at the 2004 Screenwriters Lab. By Jessica Herndon As the Sundance Institute Directors Lab turns 45, we’re
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon In writer-director Marielle Heller’s feature debut, The Diary of a Teenage Girl, a scene opens with titular teen Minnie (Bel Powley) and
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon Producer Anne Carey’s history with the Sundance Institute runs deep. The first film she produced, The Laramie Project, based on the play
Diane Quon speaks with an advisor at Sundance Institute’s 2019 Creative Producing Lab. (Photo by Jen Fairchild) By Lucy Spicer When producer Diane Quon joins