“Mija” Amplifies the Voices and Dreams of Daughters of Immigrants
by Bailey Pennick “First I might have to give a disclaimer that I might cry — and that we might all cry [right now] —
by Bailey Pennick “First I might have to give a disclaimer that I might cry — and that we might all cry [right now] —
By Stephanie Ornelas Addressing war and conflict, regardless of location in the world, is always a daunting task for filmmakers when addressing the affected people
By Vanessa Zimmer Sinéad O’Connor may have been young, angry, outspoken, and impulsive. But there was one thing she was not: insincere. That’s the takeaway
By Stephanie Ornelas When casual meet-cutes merge with gruesome discoveries, you’re left with one fascinating recipe for a horror film. That’s what you get with
By Vanessa Zimmer After Yang is a quiet science-fiction film — meaning unlike any sci-fi movie you’ve seen before — in that it takes place
by Bailey Pennick Progress rarely comes from staying in your comfort zone. To try is to be uncomfortable, but if you make the effort, extraordinary
By Vanessa Zimmer After Yang is a quiet science-fiction film — meaning unlike any sci-fi movie you’ve seen before — in that it takes place
by Katie Small While driving her car in April of 2018, Abi Damaris Corbin suddenly pulled over to read a news article that had popped
By Stephanie Ornelas When casual meet-cutes merge with gruesome discoveries, you’re left with one fascinating recipe for a horror film. That’s what you get with
Takashi Ueno and Carla Juri appear in blood by Bradley Rust Gray, in the U.S. Dramatic Competition. By Laura Kern It’s common practice for filmmakers
By Stephanie Ornelas While the story of Princess Diana’s life, legacy, and tragic death has been told many times, no one has told it quite
By Vanessa Zimmer Despite Fire of Love’s awe-inspiring images of fire spewing and spattering from the mouths of volcanoes — and then oozing and pulsating
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