2026 Sundance Film Festival Unveils Jury Members
Top Row L–R: Ana Katz, Natalia Almada, Bao Nguyen, Tatiana Maslany, A.V. Rockwell, Dr. Heather BerlinSecond Row L–R: Sophie Barthes, Azazel Jacobs, Janicza Bravo, Martin
Top Row L–R: Ana Katz, Natalia Almada, Bao Nguyen, Tatiana Maslany, A.V. Rockwell, Dr. Heather BerlinSecond Row L–R: Sophie Barthes, Azazel Jacobs, Janicza Bravo, Martin
Given the number of features, short films, and episodic works playing the Festival in 2026, it’d be impossible to catalog every comedy, dramedy, or comedy-adjacent project in the lineup. But if you’re looking to watch something laugh-out-loud funny in person or at home, you can’t go wrong with any of the following.
“This film is about expansion and pleasure and living to your absolute fullest. It’s about being sensual and sexual and hilarious and lost.”
The slate of films by Black artists, across documentaries, narrative features, episodic storytelling, and short films, asks audiences to recognize and understand Black life as multifaceted.
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Top L–R: William David Caballero, Nicole Holofcener, Salman Rushdie, Billie Jean King, Antoine FuquaSecond Row L–R: James Wan, Ava DuVernay, John Turturro, Olivia Wilde, Richard
“I think the biggest inspiration is teenage female friendship,” says Manners about her new film. “I drew a lot from my own experiences at an all-girls school growing up and how huge and exciting and painful and exhilarating and kind of everything these friendships felt.”
Tamra Davis’ “The Best Summer” captures the raw energy of the 1995 Summersault indie music festival in Australia, where bands like Sonic Youth, Foo Fighters, Beastie Boys, and Bikini Kill hit the stage.
Moon Choi and Son Sukku appear in “Bedford Park” by Stephanie Ahn, an official selection of the 2026 Sundance Film Festival (Courtesy of Sundance Institute
By Lucy Spicer It’s official — we’ve bid farewell to 2025 and are excitedly stepping into a new year full of new stories. And though
Jay Duplass is headed back to Park City in 2026 with his first solo-directed project at the Sundance Film Festival since “The Puffy Chair” — his feature debut — in 2005.
In “Run Amok,” writer-director NB Mager focuses on the aftermath of a school tragedy and asks: What happens when young people are finally allowed to speak for themselves?