
Give Me the Backstory: Get to Know Michael Shanks, the Writer-Director of “Together”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

By Jessica Herndon Producer Anne Carey’s history with the Sundance Institute runs deep. The first film she produced, The Laramie Project, based on the play

(L–R) Heidi Ewing, Iselin Breivold, Hege Birch Wik, Thor-Atle Svortevik, and Rachel Grady attend the 2025 Sundance Film Festival “FOLKTALES” premiere at Library Center Theatre.

Diane Quon speaks with an advisor at Sundance Institute’s 2019 Creative Producing Lab. (Photo by Jen Fairchild) By Lucy Spicer When producer Diane Quon joins

(L–R) Molly Gordon, Sophie Brooks, and Logan Lerman attend the 2025 Sundance Film Festival premiere of “Oh, Hi!” at Eccles Theatre on January 26, 2025,

By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

By Lucy Spicer Editor’s note: We are deeply saddened by the passing of Robert A. Nakamura, a trailblazer in Asian American cinema and the subject

By Jessica Herndon Welcome to the first edition of Take 5, where we invite you to get familiar with the talented instructors behind our Sundance

By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent

John August with fellow Kibwe Tavares at Sundance Institute’s 2016 June Screenwriters Lab. Photo by Brandon Cruz for Sundance Institute By Lucy Spicer When screenwriter