The Latest

Interview: Stu Zicherman’s Film ‘A.C.O.D.’ Finds Levity in Divorce

Stu Zicherman recalls his parents’ divorce with a nostalgia that belies all that we’re conditioned to believe about failed marriages. And even though he wavers when using terms like “levity” and “hilarious” to define his childhood experience, his candor tends to prevail. Perhaps that’s why Zicherman, who penned and directed A.

Inspired By: Matthew Porterfield on Bill Callahan, Baltimore, and ‘House of Cards’

Matthew Porterfield’s third feature, I Used to Be Darker, is a delicate exercise in restraint. His fingerprints appear everywhere and nowhere in this strained family drama as he infuses naturalism by seemingly relinquishing control. More than ever before, Darker showcases Porterfield’s undervalued acumen for developing characters by simply allowing them to develop.

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Deadline Alert: 2014 Time Warner Native Producer Fellowship

Ross Chaney is a 2013 Time Warner Native Producer Fellow. Click here to apply for the 2014 Fellowship.
Being a part of the Native Program at Sundance Institute has been an opportunity of a lifetime because it creates a diverse community of support for producing fresh independent films with Native storytellers.

Troubadors: Stacy Peralta Travels with Bones Brigade to Bosnia and Herzegovina

Stacy Peralta, the director of Bones Brigade: An Autobiography, shares about his experience with FILM FORWARD in Bosnia and Herzegovina where he screened his film and engaged in dialogue with local audiences.
There is no way to be in Bosnia and Herzegovina without feeling the aftermath of the war.  It is not an oppressive feeling nor is it depressing to hear the local people talk about it even though the experience was clearly a tragedy.

Sundance Institute and Knight Foundation Set to Host Workshops in Philadelphia and Miami

Sundance Institute and Knight Foundation are heading to Philadelphia and Miami this fall to present a series of workshops for emerging screenwriters, directors, and multidisciplinary artists. The first workshop in the series is the Sundance Institute Screenwriters Intensive in Philadelphia on October 26, co-hosted with the Scribe Video Center. If you are a writer living in Philadelphia working on a feature-length narrative screenplay, apply here by October 4 for a chance at becoming one of a possible twelve participants selected.

Remembering Ruth Maleczech, 1939-2013

On behalf of Sundance Institute and the Theatre Program, I am saddened to share the news that a beloved alum of our Theatre Lab, Ruth Maleczech, passed away Monday, September 30. Ruth was more than just another ‘theatre artist’; she was perhaps the mother of us all.
A co-founder of the visionary Mabou Mines Company in the early ‘70s (along with Lee Breuer, Fred Neumann, and Joanne Akalitis), she and her colleagues re-tooled theatre in America.

5 Things You Should Know About ‘Inequality for All’

Jacob Kornbluth would like you to know that he is not an economist. He didn’t matriculate at a revered School of Economics, nor is he especially well-versed in financial markets or models. Quite the opposite, in fact.

Stay for the Discussion: Musa Syeed Shares Valley of Saints with Audiences in BiH

Musa Syeed, the director of Valley of Saints, documents his experience with FILM FORWARD in Bosnia and Herzegovina where he screened his film and engaged in dialogue with local audiences.
It’s hard being an independent filmmaker today. To navigate the harrowing journey from fundraising to seeing the final product on a screen (hopefully with an audience) takes a certain intestinal fortitude.

Reinvention Stories: Braving the New World of Interactive Film

It is one thing to be a transmedia or interactive storyteller when you literally grew up on the Internet and are indigenous to creative coding, network logic and social media.  But, it takes a different level of courage to use these new forms when you have a vetted filmmaking career that started well before Google, Facebook, Twitter, YouTube, Smart Phones, Kickstarter, or even email and the World Wide Web.
“The big gap in the field is helping traditional storytellers gain access to technology and raising their comfort level with it.

A Voice from Siroki Brijeg

Ana Kraljević attended FILM FORWARD screenings and discussions in Široki Brijeg and shares her thoughts on the experience.Most of you reading do not even know where Široki Brijeg is. It is a small town in Bosnia and Herzegovina centered next to the historical city of Mostar.

Your Own Path: Stacy Peralta Shares About Bones Brigade in Bosnia and Herzegovina

Stacy Peralta, the director of Bones Brigade: An Autobiography, shares about his experience with FILM FORWARD in Bosnia and Herzegovina where he screened his film and engaged in dialogue with local audiences.
When I was 17 years old skating pools and being chased out of backyards and down alleyways by cops, I never imagined 40 years later I’d be welcomed to Bosnia and Herzegovina by the US Government’s American Embassy.  It just didn’t seem likely or in anyway possible that the US Government would ever host me for anything other than for the apparent trouble my friends and I were causing angry homeowners and general civilians during the skateboard revolution of the 70s and 80s.

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Sundance Institute Adds Four New Trustees

Los Angeles, CA — Sundance Institute today announced four new members of the Institute’s Board of Trustees: Nadine Schiff, Ava DuVernay, Rob Epstein and Liesl Tommy.
Under the guidance of President & Founder Robert Redford and in close collaboration with Executive Director Keri Putnam, the 22-person Board is responsible for the governance of Sundance Institute. Wally Weisman continues as Chairman of the Board.

Peace Amid Conflict: Valley of Saints Finds a Similar Struggle In Bosnia

Musa Syeed, the director of Valley of Saints, documents his experience with FILM FORWARD in Bosnia and Herzegovina where he screened his film and engaged in dialogue with local audiences.
Some of my earliest memories as a kid are of going to political rallies with my family. Living in Washington, D.