Submitting Your Project to the Sundance Film Festival

Submitting Your Project to the Sundance Film Festival

Submissions to the 2027 Sundance Film Festival are now open. You may click the button below to begin the application process. For answers to the most commonly asked questions about submitting projects to the Festival, download our FAQ document, and please read the Rules & Regulations thoroughly before you begin the process. The deadline dates and submission fees for 2027 Festival consideration are listed below.

2026 Sundance Film Festival

Deadlines & Entry Fees

Early

Official

Late

Feature Films

Jul 27

$80

Aug 28

$100

Sept 21

$125

Short Films

Jul 13

$55

Aug 3

$75

Aug 31

$95

Episodic Content (60 minutes or less)

Jul 24

$55

Aug 14

$75

Sept 11

$95

Episodic Content (over 60 minutes)

Jul 24

$80

Aug 14

$100

Sept 11

$125

The Sundance Institute is a non-profit organization that provides a wide variety of programs and initiatives for independent artists and storytellers working in film and digital media. Fees from Festival submissions help us keep the process as rigorous and democratic as possible and to further support the independent creative community. For more information about the Sundance Institute’s other programs, please visit our apply page.

Submission Categories

Each year, we select a slate of feature films, short films, episodic projects, and New Frontier exhibition and performance projects to play within each of our Festival programs. Before you begin your submission, please read carefully the eligibility requirements for each category below and select the one that best suits your project:

U.S. Narrative Feature Films

Any narrative or non-scripted work of fiction originating from within the United States with a running time of 50 minutes or more. In order to qualify as a U.S. Narrative Feature Film, the submitted project must be either scripted or improvisational fiction, or a fictionalization of actual events, and at least half of the project’s financing must originate from within the United States. Only projects retaining world premiere status are eligible for open submission to this category. Completed projects that have been or will have been exhibited theatrically or otherwise made available to the general public, either for free or for purchase prior to February 1, 2027 are not eligible to submit to this category. This includes, but is not limited to, public theatrical exhibition (festival or otherwise), television broadcast, home video, or any streaming/online platform within any or all countries.

U.S. Documentary Feature Films

Any work of nonfiction originating from within the United States with a running time of 50 minutes or more. If your documentary contains re-enactments or other fictionalized depictions of actual events, you may submit to this category, but we will ultimately decide which of our Festival programs is best suited for your project, if accepted. In order to qualify as a U.S. Documentary Feature Film, at least half of the submitted project’s financing must originate from within the United States. Only projects retaining world premiere status are eligible for open submission to this category. Completed projects that have been or will have been exhibited theatrically or otherwise made available to the general public, either for free or for purchase prior to February 1, 2027 are not eligible to submit to this category. This includes, but is not limited to, public theatrical exhibition (festival or otherwise), television broadcast, home video, or any streaming/online platform within any or all countries.

International Narrative Feature Films

Any narrative or non-scripted work of fiction originating from outside of the United States with a running time of 50 minutes or more. In order to qualify as an International Narrative Feature Film, the submitted project must be either scripted or improvisational fiction, or a fictionalization of actual events, and at least half of the project’s financing must originate from outside of the United States. Only projects retaining international premiere status are eligible for open submission to this category. Completed projects that have been or will have been exhibited theatrically (festival or otherwise) outside of the project’s country or countries of origin prior to February 1, 2027 are not eligible for open submission to this category. Projects that have been or will have been made available to the general public in a non-theatrical form, either for free or for purchase prior to February 1, 2027 are not eligible to submit to this category. This includes, but is not limited to, television broadcast, home video, or any streaming/online platform within any or all countries.

International Documentary Feature Films

Any work of nonfiction originating from outside of the United States with a running time of 50 minutes or more. If your documentary contains re-enactments or other fictionalized depictions of actual events, you may submit it to this category, but we will ultimately decide which of our Festival programs is best suited for your project, if accepted. In order to qualify as an International Documentary Feature Film, at least half of the submitted project’s financing must originate from outside of the United States. Only projects retaining international premiere status are eligible for open submission to this category. Completed projects that have been or will have been exhibited theatrically (festival or otherwise) outside of the film’s country or countries of origin prior to February 1, 2027 are not eligible for open submission to this category. Projects that have been or will have been made available to the general public in a non-theatrical form, either for free or for purchase prior to February 1, 2027 are not eligible to submit to this category. This includes, but is not limited to, television broadcast, home video, or any streaming/online platform within any or all countries.

U.S. Short Films

Any project originating from within the United States with a running time of less than 50 minutes, including credits. This includes scripted or improvisational fiction, nonfiction, experimental film or video, animation, music video, or any other short-form film or video project. In order to qualify as a U.S. Short Film, at least half of the submitted project’s financing must originate from within the United States. Completed projects that have been exhibited theatrically or otherwise made available to the general public, either for free or for purchase prior to January 1, 2026 are not eligible to submit to this category. This includes, but is not limited to, public theatrical exhibition (festival or otherwise), television broadcast, home video, or any streaming/online platform within any or all countries. Projects completed after December 31, 2025 are still eligible to submit to the Festival, regardless of premiere status.

International Short Films

Any project originating from outside of the United States with a running time of less than 50 minutes, including credits. This includes scripted or improvisational fiction, nonfiction, experimental film or video, animation, music video, or any other short-form film or video project. In order to qualify as an International Short Film, at least half of the submitted project’s financing must originate from outside of the United States. Completed projects that have been exhibited theatrically or otherwise made available to the general public, either for free or for purchase prior to January 1, 2026 are not eligible to submit to this category. This includes, but is not limited to, public theatrical exhibition (festival or otherwise), television broadcast, home video, or any streaming/online platform within any or all countries. Projects completed after December 31, 2025 are still eligible to submit to the Festival, regardless of premiere status.

Episodic Content (60 minutes or less)

Any project presented in or intended to be presented in a multi-episode format, with a total running time of 60 minutes or less. This includes scripted fiction, improvisational fiction, or nonfiction, and may be presented in the form of a pilot episode, pilot presentation, multi-episode series, or web series. Submitted projects may originate from anywhere in the world, but multi-episode submissions must be delivered as one single and continuous video file or link, not to exceed 10GB in size. Projects may consist of single or multiple episodes, but the total running time must not exceed 60 minutes in length. Completed projects that have been or will have been exhibited theatrically or otherwise made available to the general public, either for free or for purchase prior to February 1, 2027 are not eligible to submit to this category. This includes, but is not limited to, public theatrical exhibition (festival or otherwise), television broadcast, home video, or any streaming or online platform within any or all countries.

Episodic Content (over 60 minutes)

Any project presented in or intended to be presented in a multi-episode format, with a total running time of more than 60 minutes. This includes scripted fiction, improvisational fiction, or nonfiction, and may be presented in the form of a pilot episode, pilot presentation, multi-episode series, or web series. Submitted projects may consist of single or multiple episodes, and they may originate from anywhere in the world, with no restriction regarding length. All submissions must be delivered as one single and continuous video file or link, not to exceed 10GB in size. Completed projects that have been or will have been exhibited theatrically or otherwise made available to the general public, either for free or for purchase prior to February 1, 2027 are not eligible to submit to this category. This includes, but is not limited to, public theatrical exhibition (festival or otherwise), television broadcast, home video, or any streaming or online platform within any or all countries.

International Submissions

Celebrating independence, creativity, and risk taking, the Sundance Film Festival plays a vital role in discovery of new films and new voices from around the world. The World Cinema competitions are specifically dedicated to identifying emerging international talent and connecting them with audiences and industry in the United States.

World Cinema Dramatic Competition

The World Cinema Dramatic Competition showcases a selection of new films from emerging filmmakers. Submitted films must be World Premieres or International Premieres (films that have not screened outside their country of origin) and must have a running time of 50 minutes or more. Accepted films are eligible for jury prizes and an audience award. Among the films premiering in competition since the first edition in 2005: Animal Kingdom, The Maid, Once, Mermaid, Megane, An Education, Madeinusa, Son of Babylon, Drained, Bronson, 13 Tzameti, Kekexili: Mountain Patrol, Little Red Flowers and Happy, Happy.

World Cinema Documentary Competition

The World Cinema Documentary Competition showcases a selection of new films from visionary documentary filmmakers around the world. Submitted films must be World Premieres or International Premieres (films that have not screened outside their country of origin) and must have a running time of 50 minutes or more. Accepted films are eligible for jury prizes and an audience award. Among the award-winning films premiering in competition since the first edition in 2005: Man on Wire, Up the Yangtze, Grizzly Man, Senna, Manufactured Landscapes, Searching for Sugar Man, Bus 174Black Power Mixtape, 5 Broken Cameras and Afghan Star.

Non-Competition Sections

In addition to the competition sections, international films are also considered for the following sections: Midnight (genre films), New Frontier (experimental films), and Premieres (world premieres from established filmmakers). Over the years, acclaimed international works like Bloody Sunday, Whale Rider, Cronos, Motorcycle Diaries, Carne, Dead/Alive, Goodbye Lenin, Calvary, Cube, Zidane, Open Hearts, Haute Tension, Intacto, Shine, Time Crimes, Away from Her, Four Weddings and a Funeral, March of the Penguins, and Run, Lola, Run have emerged from the Festival.

We do not accept open submissions for the Spotlight category (films that have screened at other international festivals).

You may not apply to a specific Festival program. Instead, please indicate whether the film is as an International Narrative Feature or International Documentary Feature when you submit via FilmFreeway.

Donate copy lorem ipsum dolor sit amet

Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapibus leo. Lorem ipsum dolor sit amet, consectetur adipiscing elit. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapib.