Meet the 2015 Miami Screenwriters Intensive Fellows
Thursday, April 16th, 2015
This weekend, Miami welcomes the Sundance Institute Screenwriters Intensive, supported by the John S. and James L. Knight Foundation. As part of the Institute’s efforts to create new opportunities to engage and support burgeoning filmmakers from diverse backgrounds, artistic practices, and regions around the country, the Knight Fellows Project invites 11 filmmakers to a day-long screenwriting workshop led by longtime Sundance Institute Labs Creative Advisor Joan Tewkesbury (Nashville, Thieves Like Us).
The 2015 Miami Screenwriters Intensive Fellows are an eclectic group, selected from a competitive application process that yielded over 115 submissions and highlighted Miami’s incredibly vibrant, thriving artist community and a desire for further engagement. The selected projects reflect the filmmakers’ diverse backgrounds and interests. They include a Nigerian folktale about a mythical mermaid witch, a psychological thriller grounded in Jewish mystical texts, and a forbidden love story set on the eve of Haiti’s first democratic election.
The first Sundance Institute program of its kind to come to Miami, the Screenwriters Intensive is modeled on the Institute’s renowned residential Labs and successful one-day workshops for emerging filmmakers. It is supported through a multi-year collaboration with the John S. and James L. Knight Foundation, which has a shared commitment to cultivating independent artists. Starting in 2013, with the Knight Foundation’s support, Sundance Institute began launching programming in eight communities to expand its reach and provide diverse artists with creative tools to apply to their work, create a space for dialogue about the filmmaking process, and foster new connections among storytellers and with the Institute.
We are thrilled to bring this exciting initiative to Miami!
Here’s a look at the 2015 Miami Screenwriters Intensive Fellows:
Project: SAVANNAH DUST
Logline: A humorous and heartfelt tale of one man’s courage against all odds, for one last taste of victory in the game of bat and ball.
Darisha Beresford has more than a dozen years of experience as a producer and writer/director, working on award-winning international films, commercials, and television series ranging from German, Caribbean, and American productions. A Trinidad native, Beresford was heavily influenced by her parents’ involvement in the arts, developing her early love for filmmaking. She is a director at Zaftik Studios in South Florida, producing creative works that have earned dozens of industry awards. Beresford has produced content for networks such as Discovery, MTV, ESPN, A&E, and the Food Network, to name a few. Recently, she has focused on writing and developing films that are culturally diverse and unique while exploring Caribbean and Caribbean American stories.
Project: THIRD TRINITY
Logline: Third Trinity tells a distinctly Miami story of three brothers left adrift in the world of drug smuggling, Puerto Rican Nationalism, and life on the streets, respectively. Ultimately, they are bound together and kept afloat by the unshakable bond of brotherhood.
Teo Castellanos is an actor/writer/director working in theater, film, and television. He received his B.F.A. in Theater from Florida Atlantic University under a full scholarship. His award-winning solo show NE 2nd Avenue toured extensively for a decade and won the Fringe First Award at the Edinburgh Fringe Festival, Scotland 2003. Castellanos is the recipient of several awards and grants including NEA, NEFA, MAP, Knight Arts Challenge, Knight Foundation People’s Choice Award, Miami Dade County Cultural Affairs, and also won the State of Florida Individual Artist Fellowship 2005 and 2013. He has been nominated four times for the US Artist Fellowship and once for the Alpert Award. Film credits include: playing opposite Matt Dillon in Sunlight Jr. and opposite John Leguizamo in Empire, as well as in A Change of Heart with Jim Belushi. Castellanos is a member of SAG, AFTRA, Society of Stage Directors and Choreographers, and is represented in Europe by Universal Arts. He recently premiered his new solo show, Third Trinity, directed by Tarell Alvin McCraney, an adaptation of the screenplay he has written based on the real life events of his family.
Project: DUPONT’S MOUND
Logline: When Cameron, a teenager who has never met an electronic device he couldn't live without, gets stuck on a North Florida archeological survey with his aunt, he comes to discover that time is more than the divide between breakfast and lunch, and lives can be changed when the line between the past and present is erased.
Polita Glynn is the director of the Pew Fellows Program in Marine Conservation, which provides awards to scientists and individuals across the globe for innovative projects designed to address critical challenges facing the world’s oceans. Before working for The Pew Charitable Trusts, she was a freelance project director, educator, and media writer/producer specializing in environmental and cultural programs, as well as media education. As an educator, Glynn worked for the Miami-Dade County Public Schools on media education programs in the public schools and served as the Seminar Program Director for the Miami Film Festival. She has found support in her independent film work in organizations like The National Endowment for the Arts/New Forms Florida, Miami-Dade County Cultural Affairs Council, and the State of Florida. She has also received recognition from the Moondance, New York Independent Latino, and Brooklyn Film Festival script competitions. While her most recent professional work focuses on management of conservation programs, she continues to write based on a firm belief that media and storytelling are powerful forces for change and creating awareness. Glynn holds a bachelor’s degree from Bennington College and a master’s degree in education from the Harvard University Graduate School of Education. She studied film and television production at the University of Miami.
Logline: 36 is a psychological-paranormal thriller about a widower, unraveled by his grief, who comes to believe that the world will end unless he can locate and gather the Lamid Vovnicks—36 righteous individuals mentioned in the Jewish mystical texts of Kabbalah and Talmud. Their role, unbeknownst to them, is to justify the purpose of humankind, and his job is find them before it’s too late.
Andrea Greenbaum became interested in screenwriting after graduating from California State University, Chico and made her way to Los Angeles, where she worked for the DGA and WGA, editing their member directories. After attending UCLA’s Writer’s Program, she became a professional reader for Viacom, Tri-Star, New World, and Phoenix Pictures before receiving her Ph.D. from the University of South Florida. Executive producer Frank Spotnitz’s liked a spec X-Files script, "Golem,"and that script, along with several other unproduced specs, led to representation with Preferred Artists. Greenbaum is currently a Professor of English at Barry University and has published five books: Judaic Perspectives on Rhetoric and Composition, Jews of South Florida, Emancipatory Movements: The Rhetoric of Possibility, Insurrections: Approaches to Resistance in Composition Studies, as well as her latest, The Tropes of War: Visual Hyperbole and Spectacular Culture. She has published many short stories including “Thread” (Flash Fiction Magazine), “The Dwarf” (Burnt Bridge), “Allies” (White Mule), and “The Seltzerman” (Sunscripts). Awards include: the 2015 Outstanding Faculty Member Award (also won in 2008), the Cecile Roussell Fellowship for Faculty Development, the Wilkowski International Fellowship, and the Sister Jeanne O’Laughlin, Award for Outstanding Scholarship, as well as the Anspaugh Fiction Award for The Seltzerman,” and the Bayboro Fiction Award for “Allies.” In 2014, Greenbaum was granted a sabbatical to work on her novel-in-progress, Bar Mitzvah Boy.
Logline: The killing of a local transgender woman causes a rift within the small town of Sanderson, FL, and tests the bond of a conservative uncle and his effeminate nephew.
Faren Humes is a writer, director, and educator from Miami. Her short film Our Rhineland has garnered broad acclaim, including a Director’s Guild of America Student Film Award and an Academy of Television Arts & Sciences College Television Award. Humes studied filmmaking at Florida State University’s College of Motion Picture Arts. She lives and teaches film in Miami, FL, where she develops stories inspired by her place of origin.
Project: GAIN OF FUNCTION
Logline: Dr. Grace Landau and her crack team of forensic epidemiologists take on a powerful cabal in the U.S. government when they discover a series of illegal human research programs ordered under “Project Bioshield.”
Gisselle Legere is a longtime freelance epidemiologist but found her real passion just three short years ago. She started writing in 2012 and quickly realized that her visual style of storytelling was better suited for screenwriting than a novel. Legere began to write and produce short films, the most recent of which was accepted into 18 festivals and nominated for over a dozen awards.
Project: JOHNNY GIRL
Co-Writer: KEN ROSS
Logline: Born on a bus station toilet and abandoned, Johnny Girl yearns to return to the beach where she spent the happiest day of her childhood with her heroin-addicted foster father. But to get there she must confront extreme inner and outer violence, realizing she is more than just a "toilet girl."
Duba Leibell is a lecturer in screenwriting in the Cinema and Interactive Media Department at the School of Communication, University of Miami. She is currently collaborating on a political/war TV series with a former executive at HBO, and producing a short film with UM students based on the Stephen King short story "The Things They Left Behind.” She has also written several projects for Miami pop singer Gloria Estefan.
Project: THE MERMAID
Logline: Sirah, a fun loving, free spirited but out-of-control alcoholic, is forced to move in with her annoyingly angelic sister and adorable, autistic 6-year old nephew. As her sister’s new Maid of Honor, Sirah is dragged into organizing the upcoming big, fat Nigerian wedding! Things go from crazy to zany when her sister’s bible-thumping fiancé becomes convinced Sirah is cursed by the “Mami Wata,” a mythical Nigerian mermaid witch.
An aspiring writer, actress, and filmmaker, Italome Ohikhuare graduated from Columbia University with a BA in English and a concentration in Theater. She has written and starred in several NYC theater productions including Alice in Wonderland and Black Panther Women before switching gears and moving to LA to pursue film and television—first as an actress and then as a script analyst for film companies including Sony Pictures and The Weinstein Company. Inspired by groundbreaking writer-producers like Shonda Rhimes and Lee Daniels, Ohikhuare realized the best way to get Hollywood to include more colorful stories with diverse characters would be to create them herself. She then went back to school and received her MFA in Film Production from the University of Miami, where she won several screenwriting awards and was named “Most Outstanding Graduate Student.” Ohikhuare recently wrote, executive produced, and starred in her first short film, The Mermaid, which she’s currently developing into a feature.
Project: HAITIAN LOVE STORY
Logline: Set against Haiti’s first democratic election, Haitian Love Story follows two young teenagers, an ambitious housekeeper, and his wealthy employer’s daughter, who challenge societal norms by falling in love and join the movement to change their country.
Born in Harlem, New York, Haitian-American filmmaker, Rachelle Salnave has balanced an extensive range of professional experiences. In a 10-year span, Salnave documentedchanges in her community by creating a film about the gentrification of Harlem called Harlem’s Mart 125: The American Dream which toured the country in 2010. In 2012, Wine Spector Magazine awarded Salnave “Grant Recipient” of the year for her work in showcasing Top Chef celebrity Ron Duprat. After completing a master’s degree in Motion Pictures at the University of Miami in 2014, Salnave developed Ayiti Images, a film series showcasing Haitian films and directors, which traveled throughout South Florida creating forums to better explore the Haitian experience. In March 2015, The General Consulate of the Republic of Haiti in Miami nominated Salnave with the “Beacon of Hope and Achievement” award. Her short documentary The Haitian Guantanamo Bay Experience: The Legal Journey is part of the “Guantanamo Public Memory Project” international exhibit spearheaded by Columbia University. Salnave is currently on tour with her feature documentary La Belle Vie: The Good Life, and has completed a short documentary called The Heavenly Nut Story. She is based in South Florida.
Logline: After Fernando survives a high school shooting, he is wrongly framed for the attack and escapes to Mompox, a Colombian town where time has stopped. When his grandmother, a medicine woman, initiates him into the family’s shamanic rituals to find Guacas (pre-colonial treasure), he must resist temptation while finding his real destiny.
Learning from her father, a headstone mason, Ika Santamaria acquired a deep curiosity about unveiling characters and stories. The family has their own monument business in Colombia where she was trained from a young age in the art of selling headstones. On countless occasions when Ika accompanied the bereaved, merriment and laughter were key to overcoming their circumstances. Today, “to be alive” is a central theme in her stories. Santamaria studied dramatic arts at Teatro Libre in Bogota and then film at the Tisch School of the Arts at NYU. Since 2007 Santamaria has focused on filmmaking. Her first project, Equal Strength, was an ensemble film in which a cast of eleven actors from seven different countries experimented with improvisation to build their characters and shape the plot. Her next film, Flea Market Finish Line, screened at the Cannes Film Festival Short Film Corner in 2013.
Logline: Hiding in plain sight, a Haitian track star passes for African-American and, when his secret is revealed, stands to lose more than just a race.
Lolita Stewart-White is a screenwriter, filmmaker, and poet who lives and works in Miami. She was a part of the Miami Filmmaker’s Project sponsored by the Entertainment Industry Incubator and also the winner of ‘Pitch Miami’. Stewart-White has received fellowships from the South Florida Cultural Consortium in media and the Florida Division of Cultural Affairs in screenwriting. Her short films have been exhibited at Seattle’s Langston Hughes African-American Film Festival, the Leeds Underground Film Festival in the United Kingdom, and the Women in the Directors Chair Underground Film Festival in Washington D.C. Her work has been performed by Miami’s African-American Performing Arts Community Theater (AAPACT). Stewart-White was a finalist for the American Film Institute’s Directors Workshop.