Sara Dosa: How the Sundance Institute’s Documentary Film Program Keeps Directors in the Game
Director Sara Dosa and producer Shane Boris talk about “Fire of Love” at the 2022 Sundance Film Festival: London. [Editor’s Note: This piece was originally
Director Sara Dosa and producer Shane Boris talk about “Fire of Love” at the 2022 Sundance Film Festival: London. [Editor’s Note: This piece was originally
Heather Matarazzo as Dawn Wiener in Todd Solondz’s “Welcome to the Dollhouse” (Courtesy of Sony Pictures Classics) By Lucy Spicer At Sundance Institute, we’re always
By Jessica Herndon The line wrapped around the building outside Denver’s Landmark Mayan Theater, a steady hum of anticipation building as nearly 400 guests filed
(L–R) Midori Francis and Natalie Erika James attend the “Saccharine” premiere during the 2026 Sundance Film Festival at The Ray Theatre on January 22, 2026,
A buzzy opening-day screening at the Eccles Theater, “Tuner” lands laughs, gasps and real momentum.
LOS ANGELES, CA, May 14, 2026 – The nonprofit Sundance Institute announced today the cohort selected for the 2026 Episodic Lab program, taking place at
A still from “Past Lives” by Celine Song, an official selection of the Premieres program at the 2023 Sundance Film Festival. (Courtesy of Sundance Institute
Molly Gordon and Ben Platt appear in “Theater Camp.” (Courtesy of Searchlight Pictures) By Lucy Spicer Her character is the beloved founder of the AdirondACTS
A still from “The Farewell” By Vanessa Zimmer Each May, we celebrate Asian American and Pacific Islander Heritage Month across the United States. At the
(L–R) Dustin Hoffman and Leo Woodall appear in “Tuner” by Daniel Roher, an official selection of the 2026 Sundance Film Festival. (Photo courtesy of Sundance
After premiering at NY Film Festival in 1990, Kopple brought American Dream, her powerful documentary following the Hormel meatpacking strike in Minnesota, to the 1991 Sundance Film Festival.
(L–R) Derek Drescher, Coss Marte, and Syretta Wright have each other’s backs. (Micheal Hurcomb/Shutterstock for Sundance Film Festival) By Veronika Lee Claghorn “We are not