Category: News

The disparities that demarcate life in Mexico and the landlocked Arab country of Jordan are, ostensibly, vast and boundless. The two are quite literally half a world from one another, inhabited by starkly dissimilar populations and only thinly united by their rich histories and cultures. Even still, it’s those contrasts that make screening a film like Under the Same Moon (La Misma Luna), written by Film Forward participant Ligiah Villalobos, such a rewarding experience for both the artist and audiences.

Read Part 2 and Part 3 also.
We arrived in Amman four days ago. I’ve never been to Jordan before but I was three hours away by car when we were shooting in Damascus, Syria.

The O2, 18 April 2013 — Best, a five-minute film from Surrey filmmaker William Oldroyd, was announced today as the winner of the Short Film Competition for the second Sundance London film and music festival, 25-28 April at The O2. The film will screen as part of the official Short Film Programme at the festival, and Oldroyd will receive a three-night stay at The Langham, London as well as additional prizes.
The Short Film Competition was organized by a small team of Ravensbourne College of Design and Communication students, in collaboration with Sundance London organizers, including Sundance Institute, which annually hosts the Sundance Film Festival in Park City, Utah, U.

In The Screening Room this week a past festival winner and a miniature horse that will win your heart.
First we have GASLINE, which won Best Short for the 2002 Sundance Film Festival. Set in the New York suburbs of 1979 amidst the gas crisis, this poignant and exuberant drama follows a gas station owner throughout the course of a very, very bad day, shot with panache and a keen sense of observation.

It is a little after 11:00 p.m. on Monday, April 15, 2013.

We are proud to share one of the more celebrated shorts of recent times – More, directed by Mark Osborne. This lovingly animated stop-motion tale of an inventor’s search for bliss and meaning in a dehumanizing universe of mass consumption won the Jury Prize in Short Filmmaking at the 1999 Sundance Film Festival. Going beyond a great animation style, the short has an incredible level of humanism and the ability to take you into the story.

The O2, 9 April 2013 — Sundance Institute and The O2 announced today the programme of talks and music performances that will take place in The Festival Hub at the second Sundance London film and music festival, 25-28 April at The O2. Located under Cineworld at The O2, admission to The Hub is open to all Sundance London ticket holders 18 and older, subject to capacity.
The Hub Talks were programmed by Sundance Institute, which annually presents the Sundance Film Festival in Park City, Utah, U.

Nancy Buirski is the director of the documentary “The Loving Story.” She recently joined Film Forward in Colombia to screen her film for the local community. Below she reflects on her experience.

Today the Sundance family joins our friends in the film community and film lovers everywhere in mourning the loss of Roger Ebert. His passion for great cinema was second to none, and his role as champion for artistic risk-taking and original storytelling was a driving cultural force that created enthusiastic audiences for the best independent films of our time. In describing Roger, Robert Redford said, “Among the many things I admired about Roger Ebert is how he has long supported freedom of artistic expression.

Los Angeles, CA — Sundance Institute and the President’s Committee on the Arts and the Humanities announced today that FILM FORWARD: Advancing Cultural Dialogue will travel with eight films to host  free screenings, panel discussions and artist roundtables in Jordan, April 13 – 18.   Filmmakers Laura Nix and Ligiah Villalobos will participate in the program. For a full schedule of events visit www.

Tickets on Sale Friday online
The O2, 4 April 2013 — Sundance Institute and The O2 can reveal that British Sea Power will perform on Sunday 28 April, the closing night of the second Sundance London film and music festival.

Shorts Break returns this week with Lilli Carre’s animated tone poem How She Slept At Night, about a man who tries to remember his wife, but can only come up with a few scattered details as his memory begins to decay. A Chicago-based artist and illustrator, Carre works within a number of forms and mediums, including experimental animation, comics and print. What’s particularly striking about this project is how much emotional resonance she is able to pack in to such a simple idea and short runtime.