Category: News

Leading off this week’s Shorts Break is filmmaker Rodney Ascher’s The S From Hell, a documentary-cum-horror film about the scariest corporate symbol in history—the 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Flintstones, the film brings their stories to life with animation, found footage, and dramatic reenactments. Not an exhaustive historical documentary, this is a subjective film whose aim is make the audience feel the same fear and confusion as the children who were first confronted by the vexing, unfolding sights and mournful, dissonant sounds that hid in the cracks between their favorite TV shows.

Los Angeles, CA — Sundance Institute and the President’s Committee on the Arts and the Humanities announced today that the second trip for  FILM FORWARD: Advancing Cultural Dialogue in Colombia began with a free screening at a binational center in Medellín. The trip will continue through March 23 with free film screenings of eight different films, panel discussions, artist roundtables, events at Javeriana University, Casa de la Cultura de Ciudad Bolivar and Antioquia University as well as guided discussions with filmmakers Nancy Buirski and Jeff Orlowski.  Sundance Channel Global is an official sponsor of the FILM FORWARD program in Colombia.

Welcome back to Shorts Break Friday. First up this week, we have New Media, an insightful American character study from director J.J.

Jerry Rothwell is a British documentary filmmaker. He joins Film Forward in Imperial Valley to screen and discuss his latest film Town of Runners.If in Mexicali, there’s a feeling of being contained by the border fence, that most roads have to end there (see my last Film Forward blog), on the other side of the US border straight highways stretch away into the desert.

Stacy Peralta is an American filmmaker, former professional skateboarder, and original member of the Z-Boys. He joins Film Forward in Imperial Valley to screen and discuss his latest film ‘Bones Brigade: An Autobiography.’ Read Stacy’s previous blogs here and here.

As they attempt to raise distribution funds through Kickstarter donations, Sundance alumni Allison Anders and Kurt Voss reflect on the challenges of indie filmmaking by viewing the process through the prism of Zen Buddhism. Although Allison and I have written and directed some 20 movies between us, our latest collaborative feature, Strutter, is to my mind a “first film.” That is to say, it is a film made with beginners’ enthusiasm and a “beginner’s mind”—the latter a Zen concept for approaching a task without preconception, without prejudice, and without allowing experience to limit one’s thinking.

The O2 — Sundance Institute and The O2 announced that the second Sundance London film and music festival will play host to A Celebration of Muscle Shoals with Gregg Allman and John Paul White of The Civil Wars. On Saturday 27th Aprilat indigo02 in The O2 join Gregg Allman and John Paul White for an intimate sharing of music. This acoustic, 45-minute live performance will take place directly following the film screening.

Mumbai, India — Mumbai Mantra, the media and entertainment division of the Mahindra Group, in collaboration with Sundance Institute, has selected eight Indian Screenwriters and their feature film projects for the second annual Mumbai Mantra | Sundance Institute Screenwriters Lab, which began Sunday, March 10 at a Club Mahindra Resort and ends Friday, March15.
This year’s Screenwriting Fellows, selected from submissions from around the world, are: Sarthak Dasgupta (The Music Teacher); Pratim D. Gupta (Ink); Nitin Kakkar (Black Freedom); Abhijit Mazumdar (Delirium); Terrie Samundra (Betamax); Renuka Shahane (Tribhanga); Kavanjit Singh (Television); and Neha Sinha (Forgiven).

In the minds of Festival Director John Cooper and Director of Programming Trevor Groth, the difficulties inherent in programming the Sundance London film and music festival tend to look more like opportunities. That is to say, neither Cooper nor Groth appear to be fettered by ingrained concepts of how and where a film festival can and should be run.
Sundance London is now in its second year, following a debut festival rife with equal parts uncertainty and success, the former of which was vanquished by a dedicated contingent of UK film enthusiasts turning out to screenings and events throughout the four-day festival.

Passes and ticket packages now on sale; Individual tickets on sale Friday online
The O2, 11 March 2013 — Sundance Institute and The O2 announced today the programme of panels, feature films and short films for the second Sundance London film and music festival, 25-28 April at The O2.

Man about town and sandwich aficionado Todd Sklar shows that you can really do a lot with a little, by using a small amount of resources to sculpt what amounts to be a hilarious short with a cryptic title: ’92 Skybox Alonzo Mourning Rookie Card. A real lesson in comic timing and sharp dialogue, Skybox draws from personal experience to offer great family insight through a unique comic voice. Before tackling this short, Sklar and his tight-knit group of frequent collaborators cut their teeth on his first feature, a scrappy do-it-yourself feature that taught them how to work fast and cheap, a practice that has contributed to their unmistakable style of comedy.

Stacy Peralta is an American filmmaker, former professional skateboarder, and original member of the Z-Boys. He joins Film Forward in Imperial Valley to screen and discuss his latest film ‘Bones Brigade: An Autobiography.’ Read Stacy’s previous blog here.