Editor’s Note: This story was originally published January 23, 2014, following the world premieres of “The One I Love” and “Listen Up Philip” at the Sundance Film Festival. “The One I Love” makes its theatrical release Friday, August 22. Though she’s too experienced and celebrated to be considered a Sundance discovery, Elisabeth Moss is nevertheless turning heads at this year’s Festival.
Park City, UT — Sundance Institute and the President’s Committee on the Arts and the Humanities announced today that Film Forward: Advancing Cultural Dialogue will host free screenings of eight films with moderated discussions, panels and artist roundtables in Jakarta, Yogyakarta, Denpasar, Banjarmasin and Palangkarya. Sundance Channel Global is a supporter of the Film Forward program in Indonesia which is hosted by the U.S.
Los Angeles, CA — Sundance Institute invites Los Angeles-area filmmakers to its first day-long ShortsLab focusing on short-form documentary, taking place September 13 at the Cinefamily.
ShortsLab L.A.
If Day 3 at Sundance NEXT FEST heralded the vigor of independent film, Sunday’s closing events celebrated the arrival of an assured new female filmmaking voice. Ana Lily Amirpour’s A Girl Walks Home Alone At Night played like the satiating denouement to the four-day festival, transporting audiences to the film’s fictitious Bad City, a home to debauched drug users and other degenerates where a subdued vampire stalks the denizens. However improbable, our vampire “Girl,” stunningly portrayed by Sheila Vand, only changes her ways upon being seduced by a debonair romantic named Arash.
Vitality reigned at Day 3 of Sundance NEXT FEST. If skeptics needed a testament to the health and diversity of independent film, last night’s display was it, as stories from disparate communities throughout the country hit the screen.
First up was David and Nathan Zellner’s beautifully paced drama Kumiko, the Treasure Hunter, which follows a young woman (Rinko Kikuchi) who ditches the austerity of Japanese work life and treks to Minnesota to discover the buried loot from the film Fargo.
Last night’s Sundance NEXT FEST opener at the Theatre at Ace Hotel felt more like a reunion of old pals than a glitzy Los Angeles premiere. Perhaps that’s what you get when Aubrey Plaza and Father John Misty take the helm as your unofficial co-hosts. The versatile pair was on hand for the Los Angeles premiere of Plaza’s zombie romance Life After Beth and a post-screening performance from indie crooner – and all-around droll entertainer – Father John Misty.
Breaking Bad, Mad Men, House of Cards, Girls, The Office—the list could continue ad infinitum. Whatever your show preference, it would appear we are firmly entrenched in the era of serialized entertainment, where one’s fluency in pop culture is directly proportionate to their consumption (see: binge watching) of scripted shows on television or online. For audiences, the medium’s attributes are clear: accessible content that can be ingested in one heaping dose or savored over time.
Los Angeles, CA — Sundance Institute announced today that it has been awarded a grant for the second consecutive year from the Academy of Motion Picture Arts and Sciences to support professional training and development for emerging feature film artists. The grant supports four annual Labs hosted by the Institute’s renowned Feature Film Program (FFP): the June Screenwriters Lab, the Directors Lab, the Creative Producing Lab, and the Creative Producing Summit.
Sundance Institute’s Lab programs were built on a model established by Institute President & Founder Robert Redford in 1981 and give aspiring independent filmmakers the skills and knowledge they need to make theatrical motion pictures.
(August 1, 2014) Sundance Institute and The Metroplex will present Sundance Film Festival – Hong Kong Selects, a screening series of new American independent films accompanied by a delegation of filmmakers and Festival organizers from September 19 to 28, 2014, at the newly opened cineplex in Kowloon Bay in Hong Kong. Drawing on the Sundance Film Festival’s 30-year history of discovery and innovation and The Metroplex’s commitment to supporting film culture, Sundance Film Festival – Hong Kong Selects will offer the Hong Kong premieres of eight new films direct from the 2014 Festival in Park City, Utah, U.S.
The Sundance Film Festival is headed east. No, that doesn’t mean the Festival will be departing its snow globe-like wonderland in Park City. Instead, Sundance Institute and The Metroplex will present Sundance Film Festival – Hong Kong Selects, a screening series of new American independent films accompanied by a delegation of filmmakers and Festival organizers from September 19 to 28, 2014, at the newly opened cineplex in Kowloon Bay in Hong Kong.
Park City, UT—Sundance Institute today announced the participants for its annual Creative Producing Labs and Creative Producing Summit, both held the week of July 28 at the Sundance Resort in Sundance, Utah. These activities are part of the Institute’s year-round Creative Producing Initiative, which encompasses a series of Labs, Fellowships and other signature events that support independent producers. The Creative Producing Labs and Summit wrap the summer season of 10 residential Labs hosted in Utah by Sundance Institute, collectively representing 15 weeks of residency support and mentorship for the most promising new independent film and theatre projects from the United States and around the world.
There are prolific filmmakers–Woody Allen famously cranks out a new movie each year–and then there’s Joe Swanberg, who makes everyone else who has ever stepped behind a camera seem like a slacker. Since 2005, the 32-year-old has directed, written and produced 17 films, often starring in them and in some instances serving as his own cinematographer. Once synonymous with the Mumblecore movement, Swanberg continues to evolve with Happy Christmas, a consistently surprising comedy that reunites him with his Drinking Buddies star Anna Kendrick, here cast against type as an irresponsible, down-on-her-luck young woman, who imposes on her brother (Swanberg) and his wife (Melanie Lynskey), and disrupts their domestic tranquility.