
Give Me the Backstory: Get to Know Addison Heimann, the Writer-Director of “Touch Me”
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
[Pictured: a still from Chheangkea’s “Grandma Nai Who Played Favorites,” which is playing in Short Film Program 2 at the 2025 Sundance Film Festival] By
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
[Pictured: a still from Amanda Strong’s “Inkwo for When the Starving Return,” which is playing in the Animated Short Film Program at the 2025 Sundance
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
[Pictured: a still from Natalia León’s “Como si la tierra se las hubiera tragado,” which is playing in the Animated Short Film Program at the
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
[Pictured: a still from Quintessa Swindell’s “THE LILY (เดอะลิลลี่),” which is playing in Short Film Program 4 at the 2025 Sundance Film Festival] By Lucy
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