Give Me the Backstory: Get to Know Reid Davenport, the Filmmaker Behind “Life After”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon When Unzipped first sashayed onto screens in 1995, it wasn’t just a documentary — it was a cultural moment. The film didn’t
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Jessica Herndon One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
[Pictured: a still from Chheangkea’s “Grandma Nai Who Played Favorites,” which is playing in Short Film Program 2 at the 2025 Sundance Film Festival] By
By Bailey Pennick One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
[Pictured: a still from Amanda Strong’s “Inkwo for When the Starving Return,” which is playing in the Animated Short Film Program at the 2025 Sundance
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