In GIFs: Park Chan-wook’s Oldboy vs. Spike Lee’s Remake

Nate von Zumwalt and Jared Hurst

Surely Spike Lee knows that the “remake” is the most hazardous terrain for a director to explore. Beyond the usual critics, there lie an obsessive and carping band of film fans ready to lambaste any rethinking of the original vision—and often before a script has even surfaced. 

On that note, Spike Lee’s Oldboy recently hit theaters, which reimagines Park Chan-wook’s 2005 Sundance Film Festival selection of the same name. Lee is considerably loyal to the original in his remake, which see Josh Brolin swapped in for Choi Min-sik as a kidnapped man left to his own devices as he tries to escape imprisonment and track down his captors. Below we’ve juxtaposed five GIFs from each version to emphasize the similarities in both narrative and style.

Which Oldboy do you prefer?

Both men wake up disoriented in an isolated hotel room, replete with surveillance cameras.

Each is resigned to flipping through channels to begin piecing together their stories…

…Which leads to the realization that their wives have been murdered, and a wall must be punched.

In an obsessive desire to find and kill their captors, they spend downtime training and shadowboxing.

And when they spring from suitcases, they check their wallets and prepare to avenge their wives’ deaths.

And then Nicolas Cage shows up for no reason at all.

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From the Archives: Revisit Robert Redford’s Words of Wisdom

To much of the world Robert Redford is Roy Hobbs, Bill McKay, Jeremiah Johnson, or invariably, The Sundance Kid. He is an artist, an activist, and a creative leader. But Robert Redford also inhabits another world, one where he’s known simply as “Bob.

From the Archives: Sundance Institute Founder Robert Redford on Why He’s Always Believed in the Power of Documentary Filmmaking

The Sundance Film Festival’s longstanding commitment to documentary has been driven by the personal connection founder and president Robert Redford feels for the form. Leading up to the premiere of Chicago 10, the second doc to ever open the Festival, we talked to Redford about the past, present, and possible future of documentaries.You made an early commitment to documentary.

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