Through Their Lens: What Cinematographer Jomo Fray Saw at the 2025 Directors Lab
By Bailey Pennick There’s something arresting about the way Jomo Fray captures the world. The cinematographer, now best known for his unparalleled work on 2024’s
By Bailey Pennick There’s something arresting about the way Jomo Fray captures the world. The cinematographer, now best known for his unparalleled work on 2024’s
On the set of Leslie McCleave’s “The Shamrocks” with Mount Timpanogos as a backdrop during the 1999 Directors Lab. Photo by Sandria Miller By Archives
John August with fellow Kibwe Tavares at Sundance Institute’s 2016 June Screenwriters Lab. Photo by Brandon Cruz for Sundance Institute By Lucy Spicer When screenwriter
Kasi Lemmons with fellow Daniel Kaluuya at Sundance Institute’s 2016 January Screenwriters Lab. Photo by Brandon Cruz for Sundance Institute By Lucy Spicer Writer-director, actor,
Director Nia DaCosta and Tessa Thompson at the 2015 Directors Lab. (Photo by Brandon Cruz) By Jessica Herndon As the Sundance Institute Directors Lab turns 45, we’re
Director Erica Tremblay on the set of “Little Chief’” during the 2018 Native Filmmakers Lab. Photo by Tytianna Harris for Sundance Institute By Lucy Spicer
Creative advisor Joan Darling and artistic director Gyula Gazdag chat with fellow advisor Peter Medak at the 1998 Directors Lab. Photo by Sandria Miller By
Director Roger Ross Williams on the set of Cassandro during the 2018 Directors Lab. (Photo by Fred Hayes) By Jessica Herndon As the Sundance Institute
Director of photography Benjamin Kasulke, actors Katie Henney and Hannah Marks, and writer-director Marielle Heller at the 2012 Directors Lab. (Photo by Fred Hayes)
Director Gina Prince-Bythewood reviews the script for her beloved film “Love and Basketball,” which she workshopped at the 1998 Directors Lab before it premiered at the 2000 Sundance Film Festival. Photo by Sandria Miller
The Artist Accelerator team on day 3 of the Shangri La / Sundance / Building Bridges Fellowship. Photo by Elyse Butler. By Hajnal Molnar-Szakacs, Director
It’s easy to become overwhelmed when thinking about the current state of the world. With so much on the line and in flux, what change
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