From the Labs

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From the Labs
A Note to Screenwriters on Finding Their Story: "Comfort will kill you"
From the Labs
Filmmaker Beth de Araújo on "making a movie with every single industry faux pas"
From the Labs
​Producer to Producer: "How One Van Ride Changed My Life"
From the Labs
Stories of Change Lab: Using Film to Create Hope Out of Darkness
From the Labs
5 Ways the Creative Producing Lab Will Change Your Career (and Your Life)
From the Labs
How Collaboration – Not Isolation – Leads to Creative Breakthroughs
From the Labs
Clea DuVall: Pulling My Script from the River
From the Labs
Conversations We Want to Have with Ourselves: Reflections from the New Frontier Story Lab
From the Labs
A Question Every Screenwriter and Director Should Ask Themselves: “Whose story is this?”
From the Labs
Do You Have a Screenplay Exploring Science and Technology?
From the Labs
Ask Yourself These Questions When Developing Your Documentary Film
From the Labs
Writer-Director Tayarisha Poe: “Something was wrong with my script”
When I applied to the Sundance Institute Screenwriters Lab I knew there was something wrong with my script. When I interviewed for the lab, I once again shared that feeling. And then when I got the call from Michelle Satter and Ilyse McKimmie welcoming me and my story (Selah and the Spades) into the fold, I felt a quiet relief – like finally getting an appointment to see a doctor after months of a very sore throat. So, I entered the lab knowing nothing other than 1) even through those fleece-lined waterproof boots, my toes were freezing and 2) my script wasn’t done, and as strongly as I felt that, I didn’t know why.
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