Shot in 21 days in New York City on black-and-white film using largely handheld cinematography, The 40-Year-Old Version has a comfortable, classic lo-fi ’90s indie aesthetic about it—and that’s all part of first-time feature director Radha Blank’s design.
“I was raised by a cinephile, so I was raised on films like Night of the Hunter, Lost Weekend—you name it,” the native New Yorker said at the film’s world premiere at the 2020 Sundance Film Festival. “I wanted to do something in a way to retrofit this story and film into this canon of films, because I feel this film should have been told 30 or 40 years ago.”
I wanted to do something in a way to retrofit this story and film into this canon of films, because I feel this film should have been told 30 or 40 years ago.
In the film, Blank—who has worked as a writer on shows like Empire and She’s Gotta Have It—plays a semi-fictionalized version of herself. Her character, a former mainstay on “30 under 30” lists, is now pushing 40 and struggling hard to keep her career alive, living alone in a tiny studio apartment in Harlem. When she’s not teaching theatre at a local high school to make ends meet, she’s dealing with an industry that pigeonholes artists of color into making what Radha terms “poverty porn.”
“I just wish you hadn’t shied away from the darkness,” one particularly heinous old white producer tells her at a fancy party after reading her script, adding that her story about gentrification in her own neighborhood “rang a little inauthentic.” (He thinks he’s throwing her a bone when he tells her with a smile that he still needs a writer for his Harriet Tubman musical.)
More from the Festival
A Fallen Pageant Queen Chases the American Dream in ‘Miss Juneteenth’
‘Summertime’ Is a Free-Verse Love Letter to Los Angeles from 27 Young Poets
Back to All Stories
For both Radhas (the real-life Radha and her onscreen double), hip-hop was important. “This film was not someone who was going to become a rap star,” Blank noted. “To me, the film was about hip-hop being a meditation.”
Onscreen, the character uses music to channel her frustrations with her stalled career and with the racism she encounters trying to get her plays produced—and for the director, music also became a way to cope with losing her mother back in 2013, just as she was beginning work on the web series that eventually morphed into The 40-Year-Old Version.
“Part of how I got through it was by performing these songs,” Blank, alias RadhaMUS Prime, added during the film’s Q&A. “[This movie] is kind of an origin tale.”
Blank brought the project through Sundance Institute’s Screenwriters and Directors Labs back in 2017, so premiering at the Festival felt like the perfect way to bring things full circle. “I guess I would consider myself a Sundance baby,” she said in Park City, surrounded by the cast and crew who helped her bring her labor of love to life.