
Give Me the Backstory: Get to Know Sam Feder, the Filmmaker Behind “Heightened Scrutiny”
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Feature Film Program Founding Director Michelle Satter recalls Sundance Institute’s journey with and support of Ryan Coogler and his feature directorial debut Fruitvale Station.I met Ryan Coogler in the fall of 2011 when he came in to have a conversation about his script, Fruitvale Station. As I listened to Ryan speak about why he needed to tell this story, his deep, personal commitment to the project became evident.
Tangerine director Sean Baker and cast member Mya Taylor attend the film’s premiere at the 2015 Sundance Film Festival. By Jessica Herndon When Tangerine premiered
Director Sterlin Harjo and creative advisor Mike White at the 2004 Screenwriters Lab. By Jessica Herndon As the Sundance Institute Directors Lab turns 45, we’re
One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent filmmaking. While we
By Lucy Spicer Editor’s note: We are deeply saddened by the passing of Robert A. Nakamura, a trailblazer in Asian American cinema and the subject
(Stephen Lovekin/Shutterstock for Sundance Film Festival) By Patty Consolazio This one’s for any person who’s ever felt put down, left out, marginalized, oppressed, alone, defeated,
Hege Wik and Odin appear in “FOLKTALES” by Heidi Ewing and Rachel Grady, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance
By Lucy Spicer One of the most exciting things about the Sundance Film Festival is having a front-row seat for the bright future of independent
Louis Greatorex, Amrou Al-Kadhi and Bilal Hasana. (Stephen Lovekin/Shutterstock for Sundance Film Festival) By Veronika Lee Claghorn The world premiere of Amrou Al-Kadhi’s Layla, which
Aubrey Plaza getting ready for My Old Ass (photo by George Pimentel/Shutterstock for Sundance) Here at the Sundance Institute, we talk a lot about film.
John August with fellow Kibwe Tavares at Sundance Institute’s 2016 June Screenwriters Lab. Photo by Brandon Cruz for Sundance Institute By Lucy Spicer When screenwriter
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