The Latest

Social Media Storytelling for Filmmakers

Josh is cofounder and CEO of Gowalla. Prior to Gowalla, he was co-founder and CEO of Blinksale, an online invoicing service, as well as Firewheel Design, an award-winning digital and mobile design consultancy.  An avid skier and snowboarder, he lives in Austin, TX with his wife and two young daughters where he enjoys live music and breakfast tacos.

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Anne Lai on Why Producers Might Benefit Most From Sundance Institute’s #ArtistServices

As we all know, the challenges in making independent films have always been there and will continue to be there. It wouldn’t be independent if it were easy. In many ways, the burden lies squarely on the producer’s shoulders – how to nurture great material, how to piece together financing, how to inspire a army of contributors along every step of the way, and how to get the film made (and made well) and out into the world.

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What We’ve Been Up To: #ArtistServices Launches

Since 1981, Sundance Institute has supported more than 6,000 artists who have brought original stories and authentic voices to the screen and stage. Our primary commitment has always been to support the development of independent film and theatre and to expose it to audiences – in any way possible.
 Recent advancements in technology, marketing, distribution and the emergence of crowd funding have created new opportunities for audiences to experience your work.

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NativeLabs and #ArtistServices Unite

Since the founding of Sundance Institute there has been a commitment to supporting Native American filmmakers in developing their work through the Labs and screening films at our Film Festival. Since the early years of the early ’80s as a fledgling community of filmmakers paved the way for newer generations, there have been constant shifts in the way films are funded, made and seen. Tenacity has been at the core of existence for those few Native filmmakers who have actually made a feature film and taken it out into the marketplace.

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The Reality of #ArtistServices (or a Doc’s POV)

1989, 2002, 2004: Doc lovers will recognize the dates as the years that Michael Moore released the films Roger and Me, Bowling for Columbine, and Fahrenheit 911. Box Office Mojo grosses list $6.7 million, $21 million and $120 million respectively, give or take some change.

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In Awe in East Africa

Philip Himberg is Producing Artistic Director of the Sundance Institute Theatre Program. He is currently at the Theatre Lab on Manda, a two-week exchange and development program providing East African artists with guidance in their creative development toward final production.Bounding over the waves of the Indian Ocean under a moonless sky, no lights on our little boat.

Welcome to #ArtistServices

Joseph Gordon-Levitt has appeared in a number of films premiering at the Sundance Film Festival including Manic (2001), Brick (2005), Mysterious Skin (2004), 500 Days of Summer (2009), and Hesher (2010) and his short film Sparks played in 2009.  His project hitRECord.org was featured at the 2010 Film Festival’s New Frontier performances and installations.

Adventures in Specialized Distribution: ‘We Were Here’

Red Flag Releasing is an independent distribution company owned by Paul Federbush and Laura Kim. The former Warner Independent Pictures executives shepherded films such as March of the Penguins, Good Night, and Good Luck and Paradise Now. Federbush also worked as a production executive on Slumdog Millionaire.

Theatrical 2000!

Mike Plante started Cinemad as a film zine in 1998, which continues as a blog and podcast at iblamesociety. He has worked at Sundance Institute since 2001 in a variety of roles and had some strange times working at CineVegas. He also helps run Cinemad Presents, a distributor bringing unusual films to unusual venues.

On The Road with Range Life Entertainment

Todd Sklar loves coffee. In early 2008, he founded Range Life Entertainment, a privately-held film exhibition and marketing company, which tours independent films across the country on a bi-annual basis. Focusing on event-based screenings and niche marketing, Range Life currently programs over 120 events per year, while also producing original content, and continuing to parade dive bars and karaoke rooms across the U.

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Will Independent Films Benefit From Digital Projection Conversion?

Every year for the past five ShoWest confabs (the annual movie theater owner convention in Las Vegas) has been dubbed the year of “digital cinema.” For movie theater owners, the decision to buy digital projection equipment for their new build locations made sense, but spending $100K per booth to replace perfectly good 35mm equipment in existing theaters was not worthwhile. Progress was slow.

A Sundance Film Festival Programmer on Why Short Films Matter

I really believe what we’re doing for short films here at Sundance Institute is unparalleled anywhere else. We love the short form, respect it terribly, and have tried to grow our program into something that is solid, educational, and above all else, pretty unique. While some may have a preconceived notion that shorts are the redheaded stepchildren to a film festival, we at the Institute couldn’t disagree more.

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Public Programs Put Boots and Films On the Ground

While the programs of the Sundance Institute all had their start in and around Park City, Utah, they also have a life in locations throughout America and the world at large. From screenings and script readings to musical performances and discussions, Sundance Institute Public Programming Events showcase work supported by Sundance Institute and allow audiences to step into the world of Sundance Institute Artist Programs from their very own communities.
The Public Programming Event you’re probably most familiar with is our SundanceUSA program.