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Master Class Takeaways: A Short Film Is Not a Trailer for a Feature
An unseasonably windy morning blows in Charlotte as an eclectic group of filmmakers enter the Bechtler Modern Art Museum. With a registration list cut off at 375, the Wells Fargo Auditorium inside the Bechtler fills up, and there are folks who have come hoping to fill a vacant seat. Filmmakers are networking prior to the start of the program, greeting each other with hugs and handshakes.
Sundance NEXT Fest Lights Up Downtown LA August 12–14
(L-R) Greta Gerwig and Miranda July, Credit: Frazer Harrison; Sundance NEXT FEST Marquee, Credit: Alberto E. Rodriguez; Toro y Moi and Neon Indian, Credit: Frazer Harrison.
LOS ANGELES — The Sundance Film Festival sheds its bulky sweaters and mountain parkas to reveal Sundance NEXT FEST, August 12-14 at The Theatre at Ace Hotel Downtown Los Angeles.
Acting Company and Creative Advisors Announced for 2016 Theatre Lab in MENA
New York, NY — Sundance Institute today announced the acting company, dramaturgs and creative advisors participating in its pilot Theatre Lab in the MENA region, including Sandra Oh, Hoon Lee, Deanna Dunagan, Hala Omran and Raeda Taha. The Lab, held in Morocco next month, is part of the Institute’s international cultural exchange programs for independent artists and will kick off a new, multi-year commitment to support artists from the Middle East and North Africa (MENA). For the Lab, the Institute will provide promising, fresh voices from the U.
How a Small Distribution Company Gave a Tiny Holiday Movie a Successful Release
Christmas, Again is now available on Netflix. In its short life, the film has had an amazing run. As a small film distribution company (Factory 25), it’s really important to focus on making partnerships on all levels to help get films out into the world.
Screenwriter Eliza Lee on the Hong Kong New Wave, Representation in Hollywood, and Busting Through Writer’s Block
The Asian American Fellowship recently selected Eliza Lee as its third-annual fellow. With support from the A3 Foundation, the fellowship aims to further the presence of Asian American voices in independent film by supporting a writer or writer/director on the development of their feature screenplay.
Lee, whose most recent credit includes the screenplay for A Beautiful Lie about crime novelist Patricia Highsmith, recently attended the Sundance Institute Screenwriters Intensive and spoke with us about her creative origins, inspiration culled from the Hong Kong New Wave, and how she hopes to balance the scales when it comes to women on screen.
Slithering Screens: 10 Years of New Frontier at Sundance Institute
Slithering Screens is a special selection of original cinematic works that premiered in the Sundance Film Festival’s New Frontier program over the past decade, presented in five distinct programs over five consecutive nights at The Museum of Modern Art, New York.
In addition to live experiences at MoMA, a selection of virtual reality works will be made available on the Sundance VR app for Google Cardboard from April 25 to May 5. Limited artist-edition Cardboard VR goggles designed by Yung Jake will be given away to Slithering Screens attendees each night.
Catching Up with Jeff Orlowski, the Filmmaker Who Made Art Out of Climate Change
It’s been a few years since filmmaker Jeff Orlowski premiered his viscerally jarring climate change documentary Chasing Ice, which tracks photographer James Balog’s ambitious efforts to gather visual evidence of the earth’s melting glaciers. Balog, originally a skeptic of climate change, deploys customized cameras across the Arctic to provide the first-ever depiction and most palpable example of mankind’s indelible carbon footprint.
Earlier this year, Orlowski was awarded with the first-ever Sundance Institute | Discovery Impact Fellowship for his work in elevating awareness around environmental protection.
What to Watch in April: ‘H.’ Exploits Our Subconscious Fears
Rania Attieh and Daniel Garcia’s H. marks one of the most enigmatic Sundance selections in recent years and is set to make its theatrical release in April. Detailing a series of inexplicable events following a meteor strike in upstate New York, H.
Dark Family Secrets Lurk in ‘Take Me to the River’
With Take Me to the River, director Matt Sobel delivers not only an atypical take on the coming-of-age story, but one of the most original movies to have premiered at the 2015 Sundance Film Festival. Sobel’s button-pushing mindfuck about adolescent sexuality and family secrets is a tenacious and taut drama that veers between comedy, drama, and thriller – sometimes within the same scene. It’s not an easily accessible film, but as described by programmer David Courier at the 2015 Sundance premiere, it’s the kind that defines what the NEXT section of the Festival is about.
Sundance Film Forward Travels to Omaha April 12 – 14
Los Angeles, CA — Sundance Institute announced today the free Sundance Film Forward film screenings and discussions it will bring to Omaha April 12-14. Local artists, students, and film lovers are invited to attend free public events at Film Streams’ Ruth Sokolof Theater and Joslyn Art Museum. Private screenings for area students are planned for a range for venues.
Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4-8
Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 4-8. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe.Now in its second year, the four-day Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risk-taking.
‘Monsters and Men’ Filmmaker Reinaldo Marcus Green on How to Find Your Voice as a Screenwriter
“My hand hurts” doesn’t apply here at the Sundance Institute Screenwriters Intensive two-day workshop in Los Angeles—specifically Joan Tewkesbury’s screenwriting workshop “Designed Obstacles, Spontaneous Response.” I came to the sad reality that I hadn’t used pen and paper in close to six months, including signing my own name, which is all done electronically now—I type or text everything. This workshop was not about technology or form; it was about detaching from all of it in search for the deepest meaning of ourselves.
6 Sundance-Supported Independent Films About Abortion
One of America’s most contentious and polarizing issues once again hinges on an upcoming Supreme Court decision. Earlier this month, the Supreme Court heard oral arguments in Whole Woman’s Health v. Hellerstedt, one of the most consequential and closely watched abortion cases in years, addressing the length to which states can go in regulating abortions without violating a woman’s constitutional rights.
‘Fun Home’ Records the First-Ever Broadway “Spotify Session”
Earlier this month, the Theatre Program-supported show Fun Home collaborated with Spotify to record the very first Broadway “Spotify Session.” The show did a live performance of a re-invention of six of its songs at Spotify’s NYC Headquarters and released them as an exclusive album on Friday, March 4th. More recently, Samantha Power, U.
5 Indigenous Filmmakers with Ties to Sundance Institute
Want to see a list of projects helmed by Indigenous filmmakers at the 2020 Sundance Film Festival? Click here.
Throughout the 22 years of the Sundance Institute’s Native American and Indigenous Film Program’s formal existence, we have supported more than 300 Native and Indigenous filmmakers at various stages of their projects. The cycle of our work begins by scouting for and identifying Native American and Indigenous artists, bringing them through the Institute to get their work made and shown, and then bringing the filmmakers and their work back to native lands.