Fittingly, the film—which follows two teenage cousins from rural Pennsylvania as they travel by train to New York City so one of them can get an abortion—premieres March 13, right in the middle of Women’s History Month. As with Hittman’s previous works, Beach Rats and It Felt Like Love, the characters onscreen and the worlds they inhabit feel achingly real.
But that’s not the only 2020 Sundance project hitting theaters and streaming platforms this month. Nanette Burstein’s docuseries Hillary—which features never-before-seen footage from the 2016 campaign trail—comes out on Hulu on March 6, while Liz Garbus’s Lost Girls—a mystery starring Amy Ryan and Thomasin Mckenzie—will have its premiere on Netflix on March 13.
And we're capping off March with news that Netflix will be premiering Crip Camp: A Disability Revolution—one of the opening-night selections from the 2020 Festival—on March 25. At the project's premiere at the Eccles Theatre, co-director Jim LeBrecht described the film as “a hidden story and a story that I didn’t want to be lost to history.”
Spanning five consecutive decades of her fascinating career, Nanette Burstein’s comprehensive documentary series interweaves biographical chapters of Clinton’s life with previously unreleased behind-the-scenes footage from her 2016 presidential campaign, resulting in an exceptionally intimate memoir.
Based on Robert Kolker’s 2013 true-crime novel of the same title, Lost Girls is a searing look at a mother’s relentless fight for justice against the system that failed her. After her eldest daughter, Shannan, goes missing in an affluent Long Island neighborhood, Mari Gilbert (Amy Ryan) demands answers.
Autumn, a stoic, quiet teenager, is a cashier in a rural Pennsylvania supermarket. Faced with an unintended pregnancy and without viable alternatives for termination in her home state, she and her cousin Skylar scrape up some cash, pack a suitcase, and board a bus to New York City.
Just down the road from Woodstock, Camp Jened was a camp for disabled teens. Directors Nicole Newnham and Jim LeBrecht (a former Jened camper himself) deliver a rousing film about a group of campers turned activists who shaped the future of the disability-rights movement and changed accessibility legislation for everyone.