New York, NY — Sundance Institute is preparing to launch its inaugural Sundance Institute Theatre Lab in East Africa, taking place July 9-29, 2010 on the island of Manda off the coast of Kenya. Under the supervision of Philip Himberg, Producing Artistic Director of the Sundance Institute Theatre Program, the Lab will provide artists with guidance in their creative development toward final production. Modeled on the annual Sundance Institute Theatre Labs, Sundance Institute East Africa is an exchange and development program, and participants will share training and mentorship techniques.
“Sundance Institute is honored to be partnering with an extraordinary range of emerging and established theater artists in East Africa and to be supporting new work created for audiences in this region, as well as internationally,” said Himberg. “The theatre artists working in these five countries represent a new generation of writers, musicians and performers engaged in innovative, often hybrid forms of presentation. This new work honors African cultural customs, but is oftentimes breaking new ground. These are truly the independent theatre artists of East Africa. Over the last few years, Sundance Institute East Africa has created more modest opportunities for direct collaboration between American and the African artists at our home base theatre lab in Sundance, Utah or during of visits to the region. The presence of the African theatre artists at our U.S.-based Labs has both influenced and informed the work of U.S. writers and directors. I look forward to our first full-length Theatre Lab in East Africa, a region rich in long-standing theatrical and story-telling traditions.”
The creative advisors for Sundance Institute East Africa are: George Bwanika Sseremba (Uganda & Ireland), Roberta Levitow (United States), and Liesl Tommy (South Africa & United States). The 2010 Sundance Institute Theatre Lab in East Africa is made possible through the generosity of Wayne MacGregor who has provided his Manda studio, Akili, as rehearsal and convening space for the artists.
In addition to the fellows, participating artists from the region include: Melvin Aluso (Kenya), Andnet Dagnew (Ethiopia), Samuel Kamanzi (Rwanda), Moise Mutangana (Rwanda), Irene Sanga (Tanzania) and Ruzibiza Wesley (Rwanda).
2010 SUNDANCE INSTITUTE THEATRE LAB IN EAST AFRICA FELLOWS & PROJECTS:
Cut Off My Tongue (Kenya)
Sitawa Betty Wamalwa Muragori, playwright/performer
Lillian Amimo Olembo, performer/choreographer
Cut Off My Tongue is a collection of dramatized texts that incorporate poetry, spoken word, narrative, music, dance and movement. The piece deals with interrelated stories about life in Kenya grouped around tribe and ethnicity, African womanhood, love and desire, political critique, tradition and genealogy. Although the main focus of the project is Kenya, the themes Muragori addresses cut across post-colonial Africa and the continent’s struggle to deal with the question of “Nation-State”. Muragori will develop the third part of the project to complement two parts previously written.
The Book of Life (Rwanda)
Odile Gakire Katese, conceiver/director
Ruzibiza Wesley, choreographer
Samuel Kamanzi, composer/performer
Mutangana Moise, composer/performer
Goretti Amurere, contributor
The Book of Life is formed from a collection of letters written by widows of the 1994 Tutsi Genocide to their loved ones. The project transcends space and time as illustrates the living desire to reconnect with the dead so as to go past the pain. To find healing, to find joy, to find love and to celebrate life.
Africa Kills Her Sun (Tanzania)
An Adaptation Africa Kills Her Sun by Ken Saro-Wiwa
Mrisho Mpoto, adapter/performer
Gilbert Lukalia, director
Elidady Msangi, musician
Ken Saro-Wiwa (1941-1995) was hanged by the Nigerian dictatorship in 1995 for his activism on behalf of his Nigerian Ogoni people. The original text is a condemned man’s last letter to his loved one. Mpoto will adapt this text and use his poetic style in Kiswahili to combine it with slam poetry and storytelling to talk about corruption and abuse of power in contemporary Africa.
Silent Voices (Uganda)
Lucy Judith Adong, playwright
Grace Flavia Ibanda, choreographer
Jacob Otieno Rabong’o, director
Silent Voices mirrors the views and emotions of the real victims of the Northern Uganda war. The project explores how victims have been ignored in the constant calls to “forgive” and “reconcile” at the expense of justice. Through the protagonist, (Mother – a symbolic representation of life and death) Silent Voices examines what good citizens can be driven into by unhealthy policies.
Sundance Institute East Africa
The Sundance Institute Theatre Program Alumni from East Africa include: Deborah Asiimwe (Uganda), Odile Gakire Katese (Rwanda), Mũmbi Kaigwa (Kenya), Kenneth Kimuli (Uganda), Philip Luswata (Uganda), Charles Mulekwa (Uganda), Gichora Mwangi (Kenya), and Eric Wainaina (Kenya). U.S. operations are now co-led by native Ugandan playwright/producer Deborah Asiimwe, Specialist-East Africa.
Akili is the private home and studio of British choreographer and director Wayne McGregor. Created in 2006, Akili has played host to over 60 international artists from a diverse range of artistic disciplines in small scale residencies and retreats. Akili affords artists the time, space and inspiring location to stand back from their usual practice and simply ‘breathe’ re-energizing their personal creativity. Wayne McGregor is a multi award-winning artist, renowned for his physically testing choreography and ground breaking collaborations across dance, film, music, visual art, technology and science. He is the Resident Choreographer of The Royal Ballet, Covent Garden and Artistic Director or Wayne McGregor | Random Dance, a resident company of Sadlers Wells Theatre, London.
Sundance Institute Theatre Program
The Sundance Institute Theatre Program is a program of the Sundance Institute. Through its developmental activities at the Sundance Institute Playwright’s Retreat at Ucross, the Sundance Institute Theatre Lab at White Oak, Sundance Institute East Africa, and two new pilot theatre programs at Mass MoCA and Governors Island, the Program identifies and assists emerging theatre artists, contributes to the creative growth of established artists, and encourages and supports the development of new work for the stage. Under the guidance of Producing Artistic Director Philip Himberg, more than 85% of the work coming out of the Program’s labs has found professional production at theatres across the United States, Mexico and Europe. Recent productions of Sundance Institute-developed work include: Passing Strange by Stew and Heidi Rodewald, which won the 2008 Tony Award for Best Book of a Musical, Circle Mirror Transformation by Annie Baker and The Lily’s Revenge by Taylor Mac.
Founded by Robert Redford in 1981, Sundance Institute is a not-for-profit organization that fosters the development of original storytelling in film and theatre, and presents the annual Sundance Film Festival. Internationally recognized for its artistic development programs for directors, screenwriters, producers, film composers, playwrights and theatre artists, Sundance Institute has nurtured such projects as Angels in America, Spring Awakening, Boys Don’t Cry, Sin Nombre, Born into Brothels and Trouble the Water.