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‘Bones Brigade: An Autobiography’ Available Now Through Sundance Institute’s Artist Services Program

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LOS ANGELESBones Brigade: An Autobiography is now available through the Sundance Institute Artist Services access to distribution program, which provides Institute artists with exclusive opportunities for creative self-distribution, marketing and financing solutions for their work. The film continues the creative distribution strategy that began with a direct-to-fan campaign powered by Sundance Institute Artist Services collaborator Topspin Media.

Look for the film today on Amazon Instant Video, Microsoft Xbox Video, Sony Entertainment Network, SundanceNOW, VUDU and YouTube. For details visit sundance.org/nowplaying.

The exclusive aggregation partner for distribution across all portals participating in the Artist Services program is Cinedigm Entertainment Group. The Artist Services initiative is made possible by The Bertha Foundation. These deals were brokered via pro bono legal services generously provided by law firm O’Melveny & Myers LLP, which has built the legal framework for the Artist Services program and participating filmmakers since its inception.

Sundance Institute
Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit cultural organization dedicated to nurturing artistic expression in film and theatre, and to supporting intercultural dialogue between artists and audiences. The Institute promotes independent storytelling to unite, inform, and inspire, regardless of geopolitical, social, religious, or cultural differences. Internationally recognized for its annual Sundance Film Festival and its artistic development programs for directors, screenwriters, producers, film composers, playwrights, and theatre artists, Sundance Institute has nurtured such projects as Born Into Brothels, Trouble the Water, Beasts of the Southern Wild, Amreeka, An Inconvenient Truth, Spring Awakening, Light in the Piazza, and Angels in America. Join Sundance Institute on Facebook, Twitter and YouTube.

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Long before the COVID-19 pandemic upended life in general, and halted production and distribution for many creatives, the nonfiction field was plagued by issues of sustainability. For several years, sustainability has been an urgent and vigorous topic of study, debate, and organizing, as more and more filmmakers find it difficult, if not impossible, to make a living solely on the basis of their creative work. 

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