Winners of Commissioning Grant, Episodic Storytelling Grant and Lab Fellowship Revealed
Director-Screenwriter Aneesh Chaganty Honored
Park City, Utah — At a reception at the 2018 Sundance Film Festival today, the beneficiaries of $71,000 in grants
from Sundance Institute and the Alfred P. Sloan Foundation were revealed.
Doron Weber, Sloan Vice President of Programs and Director of the Public Understanding of Science and Technology program, presented the Feature
Film Prize to
Search and announced the new winners:
What The Eyes Don’t See (Sundance Institute | Sloan Commissioning Grant), produced by Rosalie Swedlin for Anonymous Content and executive produced by Michael Sugar;
C. Wrenn Ball‘s
Katie Wright (Sundance Institute | Sloan Lab Fellowship) and
Untitled J.P. Morgan Project (Sundance Institute | Sloan Episodic Storytelling Grant).
Aneesh Chaganty and Sev Ohanian’s
Search was formally presented with a $20,000 check for winning the Alfred P. Sloan Foundation Feature Film Prize,
as previously announced.
The awards were presented at an evening cocktail reception at High West Distillery. These activities are part of the Sundance
Institute Science-In-Film Initiative, which is made possible by a grant from the Alfred P. Sloan Foundation.
“Telling these humanizing and nuanced stories about how science and technology influence every part of our lives is
more important than ever. We are thrilled to honor and support these artists and their critical, timely, and deftly-crafted
Keri Putnam, Executive Director of Sundance Institute.
“We are delighted to partner with Sundance for our fifteenth year and to honor such innovative films as
Search and such exciting new work as
What the Eyes Don’t See and the
J.P. Morgan Project, all of which dramatize scientific themes and characters in fresh and original ways,” said
Doron Weber, Vice President of Programs and Director of the program in Public Understanding of Science and Technology
at the Alfred P. Sloan Foundation. “In a watershed year that saw such Sloan-supported pr
Hidden Figures and
Bombshell: The Hedy Lamarr Story honored, we are especially gratified that these four works, in different ways, all
depict female protagonists and other under-represented groups whose stories need to be told.”
The fifteen-year partnership between the Alfred P. Sloan Foundation and Sundance Institute forms part of the Sloan Foundation’s nationwide Film Program, which includes support for six film schools and five screenwriting development partners and has resulted in 20 completed feature films. In addition to Hidden Figures, originally supported by a Sloan book grant, the film program has long championed stories about women in science from this year’s Bombshell, Rachel Carson, and Radium Girls to Diane Kruger’s upcoming mini-series about technological pioneer Hedy Lamarr and stories about Rosalind Franklin, Marie Curie, Lise Meitner, and Jane Goodall. The program has also supported many works about the role of technology in daily life, including the impact of machine learning, robotics and artificial intelligence. Besides Robot & Frank, a feature film that grew out of a $20,000 Sloan production grant, Sloan has supported films such as The Imitation Game, Operator, Marjorie Prime and an upcoming three-part series Silicon Valley: The Untold Story along with several new projects, including episodic television, in development.
Search: Winner of the Alfred P. Sloan Foundation Feature Film Prize
has been awarded the 2018 Alfred P. Sloan Feature Film Prize and received a $20,000 cash award from the Alfred P. Sloan
Foundation at today’s reception. The Prize is selected by a jury of film and science professionals and presented
to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician
as a major character.
2018 Sloan Feature Film Prize Jury was named on January 16, 2018 and includes Dr. Robert Benezra of Memorial
Sloan Kettering Cancer Center and Weill Cornell Medicine of Cornell University; Dr. Heather Berlin, assistant professor
of psychiatry at the Icahn School of Medicine at Mount Sinai; actor and writer Kerry Bishé; and Nancy Buirski, director/producer/writer
The Rape of Recy Taylor.
The jury stated, “For its gripping and original interrogation of our evolving relationship with technology and how
it mediates every other relationship in our lives, both positively and negatively, and for its rigorous formal experimentation
with narrative, the 2018 Sloan Feature Film Prize at the Sundance Film Festival goes to Aneesh Chaganty and Sev Ohanian’s
/ U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian,
Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop
to look for clues to find her. A thriller that unfolds entirely on computer screens.
Cast: John Cho, Debra Messing.
Aneesh Chaganty is a 26-year-old writer/director whose two minute short film, a Google Glass spot called “Seeds”,
became an internet sensation after garnering more than 1 million YouTube views in 24 hours. Following its
Aneesh was invited to join the Google Creative Lab in New York City, where he spent two years developing, writing and directing
Google commercials. He is a recipient of the Future of Storytelling Fellowship, awarded to only five young creatives around
the world “who have demonstrated a fearlessness to tell stories in unconventional ways” and whose works “will
be instrumental in shaping the future of storyt
Search is Aneesh’s first feature.
Sev Ohanian is a 30-year-old screenwriter and producer native to Los Angeles. At the age of 20, he
My Big Fat Armenian Family, a no-budget indie feature film that became popular with Armenian audiences around the
world. Shortly after, he attended the USC School of Cinematic Arts MFA program — using the profits from his film to pay
for tuition. Since graduating in 2012, he has been a producer on thirteen feature films, four of which have been Sundance
Film Festival Official Selections. His first film, Ryan Coogler’s
Fruitvale Station, won the Grand Jury Prize at the 2013 Sundance Film Festival. Andrew Bujalksi’s
Results premiered at the 2015 Sundance Film Festival and was acquired by Magnolia Pictures. Clea DuVall’s
The Intervention premiered at the 2016 Sundance Film Festival and was acquired by Paramount. At the 2018 Sundance
Film Festival, Ohanian was awarded the Sundance Institute / Amazon Studios Producers Award.
Sundance Institute / Sloan Commissioning Grant
Cherien Dabis will receive a $25,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival
What the Eyes Don’t See, produced by Rosalie Swedlin for Anonymous Content and executive produced by Michael Sugar. Previous winners include Alex Rivera’s
La Vida Robot and Robert Edwards’s
What the Eyes Don’t See
Cherien Dabis (Writer/Director),
Rosalie Swedlin (Producer) and
Michael Sugar (Executive Producer) — A true story of how Iraqi American pediatrician and scientist Dr. Mona Hanna-Attisha
blew the whistle on local and state government officials for poisoning thousands of Flint, Michigan residents, especially
children, by exposing them to disastrous levels of toxic lead in the water.
Cherien Dabis is an award winning filmmaker and television writer director who made her feature debut with
Amreeka. The film world-premiered at the 2009 Sundance Film Festival and won the coveted FIPRESCI at Cannes. It went
on to win a dozen more international awards including the Humanitas Prize and was nominated for a Best Picture Gotham Award,
and 3 Independent Spirit Awards. Dabis returned to Sundance with her second feature
May in the Summer, which opened the 2013 Sundance Film Festival’s U.S. Dramatic Competition section and had
its international premiere at the Venice Film Festival. Dabis has also written and directed on such shows as Showtime’s
The L Word, Fox’s hit
Empire and USA Network’s Golden Globe nominated crime thriller
Rosalie Swedlin is a producer and literary manager at Anonymous Content. Swedlin began her career in New York
book publishing, followed by six years handling publicity and marketing for various UK book publishers. Prior to joining
Anonymous Content, she was a literary manager, producer, and partner at ICM for twelve years after having served as a senior
vice president. Swedlin was an agent at CAA from 1981 – 1991 and was named co-head of the agency’s motion picture
department. Swedlin executive produced the upcoming TNT limited series
The Alienist based on Caleb Carr’s bestselling novel.
The Wife, Swedlin’s most recent feature film, debuted at the 2017 Toronto International Film Festival. Her upcoming
film projects include Jane Anderson’s adaptation of
The Women in the Castle and Haifaa Al Mansour’s adaptation of the Cara Hoffman novel
Be Safe I Love You.
Michael Sugar recently launched Sugar23 — a management and production company with a multi-year, first-look deal
with Anonymous Content — where he was a partner for many years. He was awarded the Oscar® for Best Picture for
Spotlight and most recently wrapped production on the Netflix series
Maniac, with Cary Fukunaga. He is currently in production on
One Day She’ll Darken at TNT. He is an Executive Producer on the Netflix series
The OA and the hit Netflix series
13 Reasons Why. Sugar also Executive Produced Cinemax’s critically acclaimed drama series
The Knick directed by Steven Soderbergh. Sugar’s impressive roster of literary and talent clients includes Steven
Soderbergh, Richard Linklater, Cary Fukunaga, Edgar Wright, Marc Webb, Patty Jenkins, and Robin Wright. He has been nominated
for multiple Emmys, and won a Peabody Award for
Sundance Institute / Sloan Lab Fellowship
C. Wrenn Ball will receive a $15,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival.
Previous winners include Logan Kibens’s
Operator, Michael Almereyda’s
Marjorie Prime, and Rob Meyer’s
A Birder’s Guide to Everything.
C. Wrenn Ball (Writer) — Just as the Wright Brothers are about to capitalize on the invention of their airplane,
Orville is badly injured in a public crash, and sister Katie unexpectedly emerges to lead their business. Fighting resistance
from businessmen, society, and even her own brothers, she strives to keep the family together and claim her place as part
of their legacy. Based on the forgotten true story.
Hailing from North Carolina,
C. Wrenn Ball exchanged life in the Southeast for work as an assistant on network television. He directed web
series pilots in Los Angeles before completing an MFA at USC’s John Wells Division of Writing for Screen and Television.
Obsessed by the twang and rhythm of life, Ball is constantly merging his Southern sensibilities with feature and television
Sundance Institute / Sloan Episodic Storytelling Grant
John Lopez will receive an $11,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival.
Untitled J.P. Morgan Project (U.S.A.) /
John Lopez (Writer, Creator) — A look at the family drama and professional innovations of American financier J.P.
Morgan as the 20th century dawns and the country he helped build transforms radically.
A Los Angeles native,
John Lopez has covered film and the arts for
Vanity Fair online and
Bloomberg Business Week. His short
Plan B, starring Randall Park and Rosa Salazar, was a finalist in the NBC Short Cuts Film festival; he also directed
segments for NBC’s 2014
Actor’s Showcase and served as associate producer on Hossein Amini’s film
The Two Faces of January. In 2015, John was selected as a fellow for the 2015 Sundance Episodic Lab with his pilot
Crude. Most recently, John has written for Netflix’s upcoming crime drama
Seven Seconds and CBS All Access’s upcoming period drama
Strange Angel, and he has just completed a mini-room for AMC’s
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three
Beasts of the Southern Wild,
Twenty Feet from Stardom,
The End of the Tour,
Me and Earl and the Dying Girl,
Little Miss Sunshine,
sex, lies, and videotape,
Hedwig and the Angry Inch,
An Inconvenient Truth,
Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. The Festival is a program of the
non-profit Sundance Institute®. 2018 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, and Chase Sapphire®;
Leadership Sponsors – Adobe, Amazon Studios, AT&T, DIRECTV, Dropbox, Omnicom, Stella Artois® and YouTube; Sustaining
Sponsors – Canada Goose, Canon U.S.A., Inc., Dell, Francis Ford Coppola Winery, GEICO, Google Pixel 2, Grey Goose Vodka,
High West Distillery, IMDbPro, Lyft, Unity Technologies and the University of Utah Health; Media Sponsors – Los Angeles
Times, The New York Times and Variety. Sundance Institute recognizes critical support from the Utah Governor’s Office of
Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the
Festival’s costs and sustain the Institute’s year-round programs for independent artists. Look for the Official Partner
seal at their venues at the Festival. sundance.org/festival
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space
for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship
programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance
Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices,
and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as
Boyhood, Swiss Army Man, Manchester By the Sea, Brooklyn, Little Miss Sunshine, Life, Animated, Sonita, 20 Feet From Stardom,
Beasts of the Southern Wild
A Gentleman’s Guide to Love and Murder and
Fun Home. Join
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About the Sloan Foundation
The New York-based Alfred P. Sloan Foundation, founded in 1934, is a non-profit philanthropy that makes grants for original
research and education in science, technology, and economic performance. Sloan’s program in Public Understanding of Science
and Technology, directed by Doron Weber, supports books, radio, film, television, theater and new media to reach a wide,
non-specialized audience and to bridge the two cultures of science and the humanities.
Sloan’s Film Program encourages filmmakers to create more realistic and compelling stories about science and technology
and to challenge existing stereotypes about scientists and engineers in the popular imagination. Over the past two decades,
Sloan has partnered with some of the top film schools in the country – including AFI, Carnegie Mellon, Columbia, NYU, UCLA
and USC – and established annual awards in screenwriting and film production, along with an annual best-of-the-best Student
Grand Jury Prize administered by the Tribeca Film Institute. The Foundation also supports screenplay development programs
with the Sundance Institute, Tribeca Film Institute, the San Francisco Film Society, the Black List, and Film Independent’s
Producing Lab and Fast Track program and has helped develop such film projects as Ben Lewin’s
The Catcher Was a Spy premiering this year at Sundance, Morten Tyldum’s
The Imitation Game, Matthew Brown’s
The Man Who Knew Infinity, and Michael Almereyda’s
Experimenter. The Foundation has also supported theatrical documentaries such as the recently released
BOMBSHELL: The Hedy Lamarr Story, Particle Fever, and Jacques Perrin’s
The Foundation has an active theater program and commissions about twenty science plays each year from the Ensemble Studio
Theatre, Manhattan Theatre Club, and the National Theatre, as well as supporting select productions across the country
and abroad. Recent grants have supported Lucy Kirkwood’s
Mosquitoes, recently at the National Theatre in London, Nick Payne’s
Constellations, Lucas Hnath’s Isaac’s Eye, and Anna Ziegler’s
Photograph 51. The Foundation’s book program includes early support for
Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race,
the highest grossing Oscar-nominated film of 2017 and the recipient of the Sloan Science in Cinema Prize at the
San Francisco Film Society in December 2016.
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