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In a god-fearing small town in 1960s Oklahoma, bespectacled and reclusive teen Iris endures the booze-induced antics of her mother and daily doses of bullying from her classmates. She finds solace in Maggie, the charismatic and enigmatic new girl at school, who hones in on Iris’s untapped potential and coaxes her out of her shell. When Maggie’s mysterious past can no longer be suppressed, the tiny community is thrown into a state of panic, leaving Maggie to take potentially drastic measures and inciting Iris to stand up for her friend and herself.

Martha Stephens (co-director of Land Ho!, 2014 Sundance Film Festival) directs this period piece with flair, utilizing classic black-and-white landscape cinematography to create an aesthetic feast. On one level, this is Iris’s coming-of-age tale, a story about finding power and comfort in one’s own skin. Yet Stephens also infuses the film with elements of the western genre to tell a deeper story, about women as outsiders in a time and place of repression and intolerance.

YEAR 2019

CATEGORY U.S. Dramatic Competition


RUN TIME 111 min

EMAIL kristin.mann05@gmail.com

PHONE (818) 793-3309


Executive Producers
Director Of Photography
Production Designer
Costume Designer
Music By
Music Supervisor
Sound Re Recording Mixer
Location Manager

Artist Bio

Martha Stephens

Martha Stephens graduated from the directing program at the University of North Carolina’s School of the Arts. Her micro-budget features, Passenger Pigeons (2010) and Pilgrim Song (2012), both premiered at the SXSW Film Festival. With longtime friend Aaron Katz, Stephens co-wrote and co-directed Land Ho!, which premiered at the 2014 Sundance Film Festival. Land Ho! was acquired by Sony Pictures Classics and won the John Cassavetes Award at the 2015 Film Independent Spirit Awards.